The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
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Episode 209: Tim Kinsella (of Joan of Arc)
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Manage episode 210602327 series 2363117
Content provided by Brian Heater. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brian Heater or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“We never make a decision because we want to alienate the audience,” Tim Kinsella explains. “But we also never make a decision according to what we think the audience wants.” That sums up the musician’s career as any review. Though it only accounts for a bit of the outright animosity found in pieces like Pitchfork’s take on Joan of Arc’s latest opus, He's Got the Whole This Land Is Your Land in His Hands, referred to by the site as a “troll manifesto.” But the way Kinsella tells it, he’s just doing his thing. Joan of Arc, and with the prolific Chicago musician’s numerous other outlets like Cap'n Jazz, The Owls and Make Believe — which found him playing a wrestling heel — have never shied away from experimenting as a method for shaking up the doldrums of music writing. This latest record is the result of hours of jamming, a loose confederation of friends playing freely and exchanging instruments — having fun making music. The result is challenging, confusing and sometimes sublime, as in the case of Kinsella’s stream of conscious, which seem to invoke Trump’s tiny-handed insecurities well before the subject became national news.
…
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Hosted on Acast. See acast.com/privacy for more information.
673 episodes
MP3•Episode home
Manage episode 210602327 series 2363117
Content provided by Brian Heater. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brian Heater or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“We never make a decision because we want to alienate the audience,” Tim Kinsella explains. “But we also never make a decision according to what we think the audience wants.” That sums up the musician’s career as any review. Though it only accounts for a bit of the outright animosity found in pieces like Pitchfork’s take on Joan of Arc’s latest opus, He's Got the Whole This Land Is Your Land in His Hands, referred to by the site as a “troll manifesto.” But the way Kinsella tells it, he’s just doing his thing. Joan of Arc, and with the prolific Chicago musician’s numerous other outlets like Cap'n Jazz, The Owls and Make Believe — which found him playing a wrestling heel — have never shied away from experimenting as a method for shaking up the doldrums of music writing. This latest record is the result of hours of jamming, a loose confederation of friends playing freely and exchanging instruments — having fun making music. The result is challenging, confusing and sometimes sublime, as in the case of Kinsella’s stream of conscious, which seem to invoke Trump’s tiny-handed insecurities well before the subject became national news.
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
673 episodes
All episodes
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