Artwork

Content provided by Stuart Willis and Chas Fisher. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Stuart Willis and Chas Fisher or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

DZ-68: Using POV to structure KNIVES OUT

1:32:42
 
Share
 

Manage episode 262253375 series 40948
Content provided by Stuart Willis and Chas Fisher. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Stuart Willis and Chas Fisher or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

How can shifting narrative point of view drive your sequences?

Born out of isolation madness, this episode is an edited version of Draft Zero’s first YouTube livestream. Stu and Chas both watched KNIVES OUT and - together with our listeners - broke down each sequence and turning point by reference to what the audience knows in relation to the characters (aka narrative point of view). hey then answer listener questions on KNIVES OUT and much else besides live on air.

If you want to listen in on the next live recording, find details here: https://www.patreon.com/posts/dz-livesolation-35770237 and/or subscribe to us on YouTube via http://www.draft-zero.com/YouTube

If you want to watch along instead of listen, the video of the episode can be found here: https://youtu.be/EsqoCVu-oX8?t=188

As always: SPOILERS ABOUND

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

RUNNING ORDER:

  • 00:05:19:23 - Summary of narrative point of view and audience expectations
  • 00:10:12:23 - Exploring some of Rian Johnson’s word craft
  • 00:14:15:11 - Micro POV shifts in the interview montage
  • 00:21:16:22 - How POV shifts turn the film
  • 00:47:22:02 - When to let your foot off the plot gas
  • 00:59:46:20 - Backmatter / Listener Questions

EPISODE LINKS

DZ RELATED EPISODES:

Many thanks to all our patrons but particularly to Theis, Jesse, Jack, Chris, Khrob, Sandra, Nick, and Matteo. They’re good humans.

Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter. And you can find @draft_zero on Instagram and Twitter.

LINKS @ http://linktr.ee/draftzero

BUY DRAFT ZERO MERCH via TeePublic

  continue reading

109 episodes

Artwork
iconShare
 
Manage episode 262253375 series 40948
Content provided by Stuart Willis and Chas Fisher. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Stuart Willis and Chas Fisher or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

How can shifting narrative point of view drive your sequences?

Born out of isolation madness, this episode is an edited version of Draft Zero’s first YouTube livestream. Stu and Chas both watched KNIVES OUT and - together with our listeners - broke down each sequence and turning point by reference to what the audience knows in relation to the characters (aka narrative point of view). hey then answer listener questions on KNIVES OUT and much else besides live on air.

If you want to listen in on the next live recording, find details here: https://www.patreon.com/posts/dz-livesolation-35770237 and/or subscribe to us on YouTube via http://www.draft-zero.com/YouTube

If you want to watch along instead of listen, the video of the episode can be found here: https://youtu.be/EsqoCVu-oX8?t=188

As always: SPOILERS ABOUND

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

RUNNING ORDER:

  • 00:05:19:23 - Summary of narrative point of view and audience expectations
  • 00:10:12:23 - Exploring some of Rian Johnson’s word craft
  • 00:14:15:11 - Micro POV shifts in the interview montage
  • 00:21:16:22 - How POV shifts turn the film
  • 00:47:22:02 - When to let your foot off the plot gas
  • 00:59:46:20 - Backmatter / Listener Questions

EPISODE LINKS

DZ RELATED EPISODES:

Many thanks to all our patrons but particularly to Theis, Jesse, Jack, Chris, Khrob, Sandra, Nick, and Matteo. They’re good humans.

Please considering rating or subscribing to us on Apple Podcasts or sharing us on the Social Medias! We like finding new listeners. We are @stuwillis and @chasffisher on twitter. And you can find @draft_zero on Instagram and Twitter.

LINKS @ http://linktr.ee/draftzero

BUY DRAFT ZERO MERCH via TeePublic

  continue reading

109 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide