From the creators of Archive 81 comes The Deep Vault, a serialized audio drama set in an almost-post-apocalyptic United States. The story follows a group of longtime friends as they journey from the uninhabitable surface world into a mysterious underground bunker in search of safety and shelter. New episodes to be released every other Wednesday. Twitter: @thedeepvault Facebook: www.facebook.com/deepvault Website: www.deepvaultpodcast.com Email: deepvaultpodcast@gmail.com Patreon: patreon.com ...
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How to Break the World
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Manage episode 362123345 series 2482703
Content provided by The Object and The Object podcast from the Minneapolis Institute of Art. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Object and The Object podcast from the Minneapolis Institute of Art or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Truth, beauty, transcendence. For millennia, people think they know the rules of great art. Then, in the 1950s, a guy named Bob breaks every one of them, declaring car tires and Coke bottles and entirely blank canvases part of his art--and, in turn, being declared the greatest artist of his time. As war gives way to optimism, is Robert Rauschenberg offering a weary world a new way of seeing, or is he simply, entertainingly, lucratively bamboozling it? Here, you can see Rauschenberg's 1970 exhibition at Gallery 12, atop Dayton's department store in Minneapolis: https://www.rauschenbergfoundation.org/art/archive/currents-daytons-gallery-12 Here's an iconic print, commissioned but ultimately rejected by Time magazine in 1969, acquired the following year by the Minneapolis Institute of Art when the museum held a major retrospective of his prints: https://collections.artsmia.org/art/7519/signs-robert-rauschenberg And here's a boat hauling Rauschenberg's work across Venice for the 1964 Biennale: https://www.rauschenbergfoundation.org/art/archive/32nd-venice-biennale
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72 episodes
MP3•Episode home
Manage episode 362123345 series 2482703
Content provided by The Object and The Object podcast from the Minneapolis Institute of Art. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Object and The Object podcast from the Minneapolis Institute of Art or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Truth, beauty, transcendence. For millennia, people think they know the rules of great art. Then, in the 1950s, a guy named Bob breaks every one of them, declaring car tires and Coke bottles and entirely blank canvases part of his art--and, in turn, being declared the greatest artist of his time. As war gives way to optimism, is Robert Rauschenberg offering a weary world a new way of seeing, or is he simply, entertainingly, lucratively bamboozling it? Here, you can see Rauschenberg's 1970 exhibition at Gallery 12, atop Dayton's department store in Minneapolis: https://www.rauschenbergfoundation.org/art/archive/currents-daytons-gallery-12 Here's an iconic print, commissioned but ultimately rejected by Time magazine in 1969, acquired the following year by the Minneapolis Institute of Art when the museum held a major retrospective of his prints: https://collections.artsmia.org/art/7519/signs-robert-rauschenberg And here's a boat hauling Rauschenberg's work across Venice for the 1964 Biennale: https://www.rauschenbergfoundation.org/art/archive/32nd-venice-biennale
…
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72 episodes
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