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Dyckman Street IRT Station

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Archived series ("Inactive feed" status)

When? This feed was archived on September 14, 2017 13:01 (6+ y ago). Last successful fetch was on August 01, 2016 12:30 (7+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 154729902 series 1132548
Content provided by New York Transit Museum. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New York Transit Museum or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Despite its name, the subway is not completely below ground. Station entries and exits, control houses containing fare collection equipment, and electric power facilities sit aboveground. And in instances where engineering and cost considerations make underground stations problematic, elevated stations dot the landscape. The original IRT route had 49 stations that opened between 1904 and 1908. Thirtyseven were below ground and 12 like Dyckman Street were elevated.Even among the elevated stations, Dyckman is unique. It was built into a side of a hill, just outside of the Fort George Tunnel, which runs for twomiles deep underground from 158th Street to Hillside Avenue in Manhattan. At its south end, the Dyckman Street station adjoins the tunnel portal. Like the station, this portal was designed by architects Heins amp LaFarge. At its north end, the station is on an elevated viaduct. So from an architectural point of view, Dyckman Street is a transition station, instead of a standard elevated station. It is an excellent example of the way that engineering issues dictated design decisions during subway planning.To enter the station, passengers pass through a control house built under the tracks. Heins amp LaFarge designed the control house in the same BeauxArts style that they used throughout the system. The exterior is clad in concrete a standard material in station construction. But the concrete is patterned to resemble ashlar stone. Ashlar stone is made of large rectangular blocks with sculpted square edges. It is sometimes used as an alternative to brick.During the day, the interior of the control house is filled with light, thanks to the massive windows along its western wall. The east wall once had three windows, but today a contemporary token booth sits in that space. An original green mosaic frieze adorns the walls on the eastern, western, and northern walls of the control house. The south wall also contains ceramics, but these are recent additions. During the 1991 station renovation, MTA Arts for Transit installed a subtle but beautiful piece of art. quotFlightquot by Wopo Holup features groups of birds made out of station wall materials taking flight.
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29 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on September 14, 2017 13:01 (6+ y ago). Last successful fetch was on August 01, 2016 12:30 (7+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 154729902 series 1132548
Content provided by New York Transit Museum. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New York Transit Museum or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Despite its name, the subway is not completely below ground. Station entries and exits, control houses containing fare collection equipment, and electric power facilities sit aboveground. And in instances where engineering and cost considerations make underground stations problematic, elevated stations dot the landscape. The original IRT route had 49 stations that opened between 1904 and 1908. Thirtyseven were below ground and 12 like Dyckman Street were elevated.Even among the elevated stations, Dyckman is unique. It was built into a side of a hill, just outside of the Fort George Tunnel, which runs for twomiles deep underground from 158th Street to Hillside Avenue in Manhattan. At its south end, the Dyckman Street station adjoins the tunnel portal. Like the station, this portal was designed by architects Heins amp LaFarge. At its north end, the station is on an elevated viaduct. So from an architectural point of view, Dyckman Street is a transition station, instead of a standard elevated station. It is an excellent example of the way that engineering issues dictated design decisions during subway planning.To enter the station, passengers pass through a control house built under the tracks. Heins amp LaFarge designed the control house in the same BeauxArts style that they used throughout the system. The exterior is clad in concrete a standard material in station construction. But the concrete is patterned to resemble ashlar stone. Ashlar stone is made of large rectangular blocks with sculpted square edges. It is sometimes used as an alternative to brick.During the day, the interior of the control house is filled with light, thanks to the massive windows along its western wall. The east wall once had three windows, but today a contemporary token booth sits in that space. An original green mosaic frieze adorns the walls on the eastern, western, and northern walls of the control house. The south wall also contains ceramics, but these are recent additions. During the 1991 station renovation, MTA Arts for Transit installed a subtle but beautiful piece of art. quotFlightquot by Wopo Holup features groups of birds made out of station wall materials taking flight.
  continue reading

29 episodes

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