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Honky - June 13, 2018

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When? This feed was archived on August 14, 2021 05:07 (2+ y ago). Last successful fetch was on August 18, 2019 01:14 (4+ y ago)

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Manage episode 208696333 series 1137187
Content provided by KRCB-FM North Bay Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by KRCB-FM North Bay Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Everyone’s a little bit racist” sing the puppets in the musical Avenue Q. Playwright Greg Kalleres takes that thought and runs with it in Honky, running now at Left Edge Theatre.
It opens up with a commercial for Skymax 16’s, the latest craze in athletic footwear. It ends with the tag line “S’up now?” which we soon learn is the last thing said to a black teen before he’s killed for the shoes.
Lights up on the office of Davis Tallison (Mike Pavone), the white president of a company that makes footwear “by black people for black people.” Thomas Hodge (Trey G. Riley) is there to unveil his latest design and is aghast to learn that sales of the 16’s have exploded in the white youth community since the shooting. Tallison announces the new 17’s will now be marketed to them. Hodge is furious that something he created for “his people” has become bastardized and seeks some sort of retribution on the creator of the commercial he thinks is responsible.
Enter Peter Trammel (Mark Bradbury), whose issues about the commercial’s impact have led him to a therapist (Liz Rogers-Beckley) with her own issues. In a coincidence that only occurs to writers, she happens to be Hodge’s sister. Credulity is further strained when Hodge runs into Peter’s fiancé (Lydia Revelos) and sees a way for some payback, but credulity really shouldn’t be an issue in a play with a sublot involving a new pharmaceutical cure for racism whose side effects lead to visions of a lusty Abraham Lincoln (Nick Christenson) and a foul-mouthed Frederick Douglass (Julius Rea).
Part absurdist farce and part blistering social commentary, Honky will make you laugh and uncomfortable. More about racial identity than racism, the feelings of being “too white” or “not black enough” are deftly combined with swipes at our consumerist society where discrimination is masked as “marketing” and stereotypes are just “demographics.”
Director Argo Thompson has a terrific cast with California-newcomer Riley outstanding as the conflicted Hodge. The opening scene with veteran Pavone crackles and sets the tone for the duration. Excellent work is done by all with an extra shout out to Julius Rea and Jim Kaskey for their work as a variety of ‘urban’ youth the other characters encounter.
Funny, infuriating, profane and profound, shows like Honky don’t play on wine country stages that often. Catch it while you can.
‘Honky’ runs through July 1 at Left Edge Theatre located in the Luther Burbank Center for the Arts in Santa Rosa. Friday and Saturday evening performances are at 8pm.
There’s a Sunday matinee at 2pm.
For more information, go to leftedgetheatre.com
  continue reading

187 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on August 14, 2021 05:07 (2+ y ago). Last successful fetch was on August 18, 2019 01:14 (4+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 208696333 series 1137187
Content provided by KRCB-FM North Bay Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by KRCB-FM North Bay Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Everyone’s a little bit racist” sing the puppets in the musical Avenue Q. Playwright Greg Kalleres takes that thought and runs with it in Honky, running now at Left Edge Theatre.
It opens up with a commercial for Skymax 16’s, the latest craze in athletic footwear. It ends with the tag line “S’up now?” which we soon learn is the last thing said to a black teen before he’s killed for the shoes.
Lights up on the office of Davis Tallison (Mike Pavone), the white president of a company that makes footwear “by black people for black people.” Thomas Hodge (Trey G. Riley) is there to unveil his latest design and is aghast to learn that sales of the 16’s have exploded in the white youth community since the shooting. Tallison announces the new 17’s will now be marketed to them. Hodge is furious that something he created for “his people” has become bastardized and seeks some sort of retribution on the creator of the commercial he thinks is responsible.
Enter Peter Trammel (Mark Bradbury), whose issues about the commercial’s impact have led him to a therapist (Liz Rogers-Beckley) with her own issues. In a coincidence that only occurs to writers, she happens to be Hodge’s sister. Credulity is further strained when Hodge runs into Peter’s fiancé (Lydia Revelos) and sees a way for some payback, but credulity really shouldn’t be an issue in a play with a sublot involving a new pharmaceutical cure for racism whose side effects lead to visions of a lusty Abraham Lincoln (Nick Christenson) and a foul-mouthed Frederick Douglass (Julius Rea).
Part absurdist farce and part blistering social commentary, Honky will make you laugh and uncomfortable. More about racial identity than racism, the feelings of being “too white” or “not black enough” are deftly combined with swipes at our consumerist society where discrimination is masked as “marketing” and stereotypes are just “demographics.”
Director Argo Thompson has a terrific cast with California-newcomer Riley outstanding as the conflicted Hodge. The opening scene with veteran Pavone crackles and sets the tone for the duration. Excellent work is done by all with an extra shout out to Julius Rea and Jim Kaskey for their work as a variety of ‘urban’ youth the other characters encounter.
Funny, infuriating, profane and profound, shows like Honky don’t play on wine country stages that often. Catch it while you can.
‘Honky’ runs through July 1 at Left Edge Theatre located in the Luther Burbank Center for the Arts in Santa Rosa. Friday and Saturday evening performances are at 8pm.
There’s a Sunday matinee at 2pm.
For more information, go to leftedgetheatre.com
  continue reading

187 episodes

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