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Visconti

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Manage episode 210686400 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
For many New York moviegoers, the past few weeks at the Film Society of Lincoln Center have virtually belonged to Luchino Visconti. The retrospective has included established landmarks such as Rocco and His Brothers, The Leopard, Death in Venice, and Ossessione, but it’s also fostered rediscovery of Ludwig, The Stranger, The Damned, and more. The record audiences suggest that Visconti’s richly drawn canvases, larger-than-life characers, and sweeping historical dramas still have a special pull on the big screen. And decay never looked so good. In this episode of the podcast, I talked about Visconti’s work (and its resonance with glam rock?) with regular FC contributor Nick Pinkerton, and Florence Almozini, associate director of programming at the Film Society and co-programmer of the retrospective.
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479 episodes

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Visconti

The Film Comment Podcast

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Manage episode 210686400 series 115441
Content provided by Film Comment and Film Comment Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Film Comment and Film Comment Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
For many New York moviegoers, the past few weeks at the Film Society of Lincoln Center have virtually belonged to Luchino Visconti. The retrospective has included established landmarks such as Rocco and His Brothers, The Leopard, Death in Venice, and Ossessione, but it’s also fostered rediscovery of Ludwig, The Stranger, The Damned, and more. The record audiences suggest that Visconti’s richly drawn canvases, larger-than-life characers, and sweeping historical dramas still have a special pull on the big screen. And decay never looked so good. In this episode of the podcast, I talked about Visconti’s work (and its resonance with glam rock?) with regular FC contributor Nick Pinkerton, and Florence Almozini, associate director of programming at the Film Society and co-programmer of the retrospective.
  continue reading

479 episodes

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