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Michael Rakowitz Discusses Withdrawing from the 2019 Whitney Biennial, and His Leonard Cohen Problem

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Content provided by Hyperallergic. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hyperallergic or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When news that Michael Rakowitz withdrew from the 2019 Whitney Biennial was published by the New York Times on February 25, people wondered why the Iraqi-American artist decided to sit out the biannual art event.

Later, in April, when the Leonard Cohen: A Crack in Everything opened at the Jewish Museum, many people noticed that Rakowitz's work about the renowned Canadian crooner’s relationship with Zionism and Israel — which appeared in the original exhibition at the Musée d’art contemporain de Montréal — wasn’t there. Why?

Rakowitz talks to me about the controversies with both exhibitions and his thoughts on museums and power. He also reads his 2015 letter to Leonard Cohen, which he mailed to the singer a year before the legend died.

And, as a special treat, the music in this podcast is performed by Rakowitz himself.

  continue reading

101 episodes

Artwork
iconShare
 
Manage episode 233986703 series 1509260
Content provided by Hyperallergic. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hyperallergic or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

When news that Michael Rakowitz withdrew from the 2019 Whitney Biennial was published by the New York Times on February 25, people wondered why the Iraqi-American artist decided to sit out the biannual art event.

Later, in April, when the Leonard Cohen: A Crack in Everything opened at the Jewish Museum, many people noticed that Rakowitz's work about the renowned Canadian crooner’s relationship with Zionism and Israel — which appeared in the original exhibition at the Musée d’art contemporain de Montréal — wasn’t there. Why?

Rakowitz talks to me about the controversies with both exhibitions and his thoughts on museums and power. He also reads his 2015 letter to Leonard Cohen, which he mailed to the singer a year before the legend died.

And, as a special treat, the music in this podcast is performed by Rakowitz himself.

  continue reading

101 episodes

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