In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 50. Tucky Williams on Indie Filmmaking, Pushing Boundaries, and Never Giving Up
Manage episode 243990263 series 2433824
Content provided by Ian O'Neill. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ian O'Neill or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
I had an amazing conversation with award-winning indie filmmaker, Tucky Williams who talks about her film, Girl/Girl Scene and the controversy of having it removed from Amazon before having it relisted (thanks to pressure from fans of the film). We talk building an indie filmmaking family, always being nice (don't be an asshole), budgeting, resource filmmaking and a whole lot more. Tucky is amazing and I can't wait to have her drop by again.
Here’s where you can find out all about Tucky and her projects:
Girl/Girl Scene Series Official Website
If you have any comments or questions about the show, please stop by my Facebook page @howtheydiditpodcast
I’m on twitter at @hfilmmaking and on Instagram at How They Did It: Filmmaking.
Please show your support for the show by subscribing on iTunes, Spotify, Google Play or wherever you listen to your podcasts. Please take a few minutes to give me a review on any of these platforms...it would be so helpful and greatly appreciated.
Thanks again for joining me and I’ll be back with another show soon. Until then, Keep Shooting!
58 episodes
Share
Manage episode 243990263 series 2433824
Content provided by Ian O'Neill. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ian O'Neill or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
I had an amazing conversation with award-winning indie filmmaker, Tucky Williams who talks about her film, Girl/Girl Scene and the controversy of having it removed from Amazon before having it relisted (thanks to pressure from fans of the film). We talk building an indie filmmaking family, always being nice (don't be an asshole), budgeting, resource filmmaking and a whole lot more. Tucky is amazing and I can't wait to have her drop by again.
Here’s where you can find out all about Tucky and her projects:
Girl/Girl Scene Series Official Website
If you have any comments or questions about the show, please stop by my Facebook page @howtheydiditpodcast
I’m on twitter at @hfilmmaking and on Instagram at How They Did It: Filmmaking.
Please show your support for the show by subscribing on iTunes, Spotify, Google Play or wherever you listen to your podcasts. Please take a few minutes to give me a review on any of these platforms...it would be so helpful and greatly appreciated.
Thanks again for joining me and I’ll be back with another show soon. Until then, Keep Shooting!
58 episodes
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Similar to How They Did It: Filmmaking
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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