Best Cowriting Podcasts (2024)

1
Moonstruck: writing female characters 44:17

4h ago44:17

44:17

We're kicking off a brand new season with two new story concepts. Melanie will be studying female characters and how women are presented in modern stories (her work in this episode is reeeeally interesting!), and I'll be investigating something I learned from Steven Pressfield, which is that we shouldn't introduce anything new after Act 2. "Setups …

1
What do agents do? 48:04

2h ago48:04

48:04

This bonus episode was prompted by a chat I saw on Threads. It started with the question, what excites you most about having an agent? Offline, Melanie and I began to literary agents and what they do. We decided to hit record and share what we know with you. Enjoy! - V. REGISTER FOR THE 2024 SPRING WEBINAR SERIES For access to writing templates and…

1
Our Best Advice: left-brained stories 23:37

7d ago23:37

23:37

Left-brained stories (mysteries, crime thrillers, spy stories) are among the highest selling books on the market today. Readers can't get enough of them, and that means the bar for authors is really high because we have to create a puzzle that our readers haven't seen before. Add to this the fact that the fundamentals of storytelling work in a slig…

1
The Sixth Sense: the art of the gotcha ending 36:43

10d ago36:43

36:43

Are you planning to use a twist at the end of your story? Have you ever wondered how M. Night Shyamalan pulled off this famous gotcha ending? If so, this episode is for you! Melanie does a deep dive into story twists and surprises so that you can craft an ending that delights your reader. I focused on the Central Dramatic Question which is a key pa…

1
Breakout Books v. Words on a Page 6:39

12d ago6:39

6:39

To be a career author, you must have a breakout book. And, a breakout book is one that contains a story that works. In this episode, I tell you the story of an author who didn't know the difference between a breakout book and words on a page. What happened to him will make your jaw drop. REGISTER FOR THE 2024 SPRING WEBINAR SERIES For access to wri…

1
How to Write a Breakout Book 2:27

15d ago2:27

2:27

I just attended a training session with a literary agent who said that failure to write a breakout book is one of the most common mistakes writers make. Well sure, that's fine to say, but (1) what is a breakout book and (2) how do you write one? Well, believe it or not, that's exactly what I'm covering in the How Stories Work webinar on April 9. Ma…

1
The Last of Sheila: soooo good 44:15

21d ago44:15

44:15

Now this is the epitome of a left-brained story. THE LAST OF SHEILA has puzzles within puzzles, an intricate plot that has been expertly set up, and a cast of characters who aren't who they seem to me. There are so many amazing things about it, I hardly know which of them to highlight for you here so I'll give you a bit of trivia: this movie was Ri…

1
How do stories work? 5:11

17d ago5:11

5:11

If you're writing a novel or memoir, you're writing a story. Sounds obvious, right? That may be, but most authors don't know how to tell a story that works. If you don't believe me check out the stats: 97% of the books sent to literary agents are rejected, of the books that get published 0.08% hit a bestseller list. Those who choose to self-publish…

1
Gosford Park: did he deserve it? 35:04

25d ago35:04

35:04

This film offers two hugely valuable lessons to writers of all genres. The first is about the inciting incident and when it needs to happen. The second is about unlikeable characters and how to handle them. In Gosford Park, it's the victim who is unlikeable and that adds an interesting dimension to the murder mystery storyline. -V. "Notice where yo…

1
One Line Writing Secret You Need to Know 8:51

26d ago8:51

8:51

In our last episode about our most embarrassing literary moments, Melanie and I said that line writing (or prose writing) means learning to write a narrative. We also said that there are specific techniques involved in writing a narrative, but we didn't say what any of them are. So that's the purpose of this little mini episode. We reveal a line wr…

1
Our Most Embarrassing Literary Moments 29:17

1M ago29:17

29:17

No one is born knowing how to write great prose. Like any other kind of specialized writing (ex., newspapers, academia, web, etc.), writing prose is a particular skill that can, and must, be learned. While Melanie and I were meeting to discuss our upcoming webinar about line writing, we started to share (horror) stories from the early days of our o…

1
A Most Wanted Man: why now? 35:25

30d ago35:25

35:25

Readers are on a need to know basis. That means that, as storytellers, we only tell them what they need to know, and only when they need to know it. In this adaptation of John le Carre's novel, the filmmakers could have told us everything we needed to know about Issa in the first few minutes. Instead, they sprinkled the details a little bit at a ti…

1
THIS is how your novel gets noticed! 6:02

1M ago6:02

6:02

There are two ways to write great stories. The first involves at least 20 years of reading, writing and being rejected. The second, which is much faster, involves learning story theory. (Big shocker that I'm saying that, right?) If option number two sounds good to you, then check out the Story Nerd Spring Webinar Series, which kicks off on March 28…

1
The Good Liar: surprise v twist 41:57

1M ago41:57

41:57

The movie had both me and Valerie on the edge of our seats. When we come across a masterful movie we pull out as much as we can for you. This episode is chock-a-block full of info about point of view, narrative drive, clues, and liars. We also examine how the twist in The Good Liar is set up and pulled off. I continue to track the clues and motives…

1
See How They Run: wasted potential 39:44

2M ago39:44

39:44

A comedic take on a murder mystery had so much potential, but unfortunately, the creators of SEE HOW THEY RUN wasted it with what can only be described as lazy writing and lazy editing. This is what happens when the writers of murder mysteries aren't also superfans of the genre, or when they try to cut corners. This week, Valerie discusses the unfo…

1
Tinker Tailor Soldier Spy: when did Smiley know? 57:08

2M ago57:08

57:08

It's a long episode this week because there's a whole lot to talk about in this excellent adaptation of John le Carre's bestselling novel. Melanie gives her top tips for writing mysteries and Valerie discusses the type of protagonist we usually find in left-brained stories. One question lingered for them both: When did George Smiley discover who th…

1
The Game: why endings are important 38:22

2M ago38:22

38:22

By the time we get to the end of our manuscript, we can feel drained creatively. The temptation to phone it in looms large. But be careful. No matter how good the rest of your story is, if the ending is weak, the novel/film will fail to impress. This is just one of the lessons that Valerie and Melanie learned this week. "What I mean by a left-brain…

1
The Dry: an introduction to outback noir 37:06

2M ago37:06

37:06

This week Valerie and Melanie continue their study of left-brained stories. They step into the outback to discover how Australian crime writers create an atmosphere of isolation by combining plot and setting. Melanie is tracking clues, motives, and murderers' actions to discover the techniques used to raise questions and divert attention in the sto…

1
Crooked House: left-brained stories 40:51

3M ago40:51

40:51

It's time for a brand new season of the show and this time around, Valerie and Melanie are studying the same topic: left-brained stories. Never heard of it before? Don't worry. Valerie made up the term to describe any story that has a puzzle of some kind and invites the reader/audience to try to solve the puzzle before the author reveals the soluti…

1
Character Lessons from an Actor 10:47

3M ago10:47

10:47

For the past two seasons Valerie has been talking about character dimension and cast design. The key to understanding both concepts is to recognize that a person isn't a uniform, constant creature. A person's behaviour changes depending on the situation she finds herself in and the people she finds herself interacting with. In this brief bonus epis…

1
Our Best Advice: conflict + cast design 25:35

3M ago25:35

25:35

This week Valerie and Melanie round up their a-ha moments and the lessons they've learned over the past ten episodes. What are their key takeaways wrt creating conflict in a story? How can you design a cast that supports both the main character's development and the plot? Tune in to find out! For access to writing templates and worksheets, and more…

1
The Lost Daughter: fisticuffs 48:19

3M ago48:19

48:19

The one thing Valerie and Melanie agree on this week is that the execution of this film isn't as good as it could, or should, have been. They disagreed on just about everything else and they each have a strong case for why they've come to the conclusions they've come to. The main points of disagreement? The protagonist's object of desire (want) and…

1
Lady Bird: writing female protagonists 41:49

3M ago41:49

41:49

If you're writing a character-driven story with a female protagonist, or a female POV character, this episode is a must for you. With only one viewing it's easy to miss the storytelling goodness of Lady Bird because it doesn't offer up the kind of story Hollywood has trained us to expect (i.e., external action, male protagonist, hero's journey-styl…

1
Love, Simon: how (not) to arc a character 40:58

4M ago40:58

40:58

If you're writing a character-driven story, or if your protagonist has an arc, this episode is for you. This week, Melanie and Valerie continue their studies of conflict and cast design, and the connection between these topics and character development is a real eye-opener. For access to writing templates and worksheets, and more than 70 hours of t…

1
Sex and the City: great world building, but meh 39:27

4M ago39:27

39:27

Never has there been a better example of why world building is so important. Fans of Sex and the City love to live vicariously through Carrie Bradshaw so it's no surprise that audiences gave this film a 77% Rotten Tomatoes score. However, film critics gave it a 50%, and Valerie and Melanie tend to agree. What is they see that fans don't? Tune in to…

1
The Gentlemen: conflict and a detour 36:41

4M ago36:41

36:41

Sometimes the best way to understand a concept is to have a simple, but clear, example. In this episode, Melanie explains why The Gentlemen is such a great example of conflict, especially external conflict. This film isn't such a great example of cast design though, so this week Valerie takes a detour and focuses instead on Narrative Device (which …

1
Little Women: why we do (or don't) love it 34:39

4M ago34:39

34:39

There's no question that Little Women is a classic that is beloved by generations, but why? What is it about this story that resonates with so many readers and viewers? This week, Valerie and Melanie ponder just that and their study takes them to past episodes about world building and story shapes, they discuss the appeal of Jo March and they disco…

1
No Way Out: conflict triangles 43:08

4M ago43:08

43:08

In this week's episode, Melanie introduces the concept of conflict triangles and honestly, if you use them in your work, your story will improve immediately. In terms of cast design, while usually the plot supports the development of the characters in this case, the characters support the development of the plot. If you don't know which option best…

1
The Full Monty: writing comedic characters 36:56

5M ago36:56

36:56

Valerie and Melanie both approached this week's episode with some trepidation. The Full Monty is a favourite film and sometimes those can be the most challenging to study because it's hard to be objective. But thankfully, there was no need to worry; the structure of The Full Monty is solid and a deep study revealed some fascinating lessons on how t…

1
The Woman King: when storylines compete 46:09

5M ago46:09

46:09

Creating multiple storylines is a popular approach for novelists and for writers who know what they're doing, the end result is nothing short of masterful. However, multiple storylines is an advanced writing technique and it can quickly and easily go off the rails. Unfortunately, that's what happened with The Woman King. Now, there's lots to admire…

1
August Osage County: one for your repertoire 29:48

5M ago29:48

29:48

It's time for a brand new season and this time around, Valerie is studying cast design (a concept which revolutionized her writing) and Melanie is studying conflict. August: Osage County is a brilliant example of both - in fact, it's a brilliant example of a whole lot of storytelling principles, so this is one movie you'll want to add to your reper…

1
Best Advice: character development + worldbuilding 21:53

5M ago21:53

21:53

We've reached the end of another season and that means it's time for us to round up our a-ha moments and best lessons learned about how to develop characters and build fictional worlds. You'll want to bookmark this episode! For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inne…

1
The Electrical Life of Louis Wain: externalize the internal 40:34

6M ago40:34

40:34

This movie is all about the inner turmoil of Louis Wain. You may not recognize his name, but you'll recognize his art (it's worth Googling). If you have a pet cat, it's because of Louis Wain. Communicating a character's inner thoughts or mental state is a tricky thing for film to do. It can be tricky for novelists too because it often leads to long…

1
Pretty Woman: a masterclass in the fundamentals 46:05

6M ago46:05

46:05

This movie is so light and joyful that it's easy to dismiss it as fluff, but nothing could be further from the truth. Pretty Woman is a masterclass in the fundamentals of storytelling. The plot isn't fancy (it isn't even original), but it's rock solid and the presentation of the characters is spot on. Yes, we're discussing character development and…

1
Nanowrimo: how to win 10:33

6M ago10:33

10:33

Nanowrimo starts tomorrow and if you're going to win, you've got to have a strategy. It's no small task to write an entire draft of a novel in thirty days! Luckily, in this bonus episode Valerie is here with three proven strategies that to help you do just that. You don't need to follow all three, just pick one that works and go for it. Good luck! …

1
Don't Worry Darling: where did it go wrong? 15:49

6M ago15:49

15:49

By popular request! So many of you have messaged Valerie about this movie, that she's finally decided to tackle it head on. All the questions you've sent in boil down to one thing...you didn't like the movie, but you can't put your finger on why. In this bonus episode, Valerie shares her insights. Given the star-power attached to this project, her …

1
The Boy In The Striped Pyjamas: writing historical fiction 39:02

6M ago39:02

39:02

Anyone writing historical fiction needs to pay particular attention to how they build the world for the reader/viewer. In this week's episode, Melanie explains how to construct a fictional world around three main setting types. It's fascinating stuff! And Valerie explores what happens when the most interesting character in the story is NOT the prot…

1
Big: writing comedic characters 36:26

6M ago36:26

36:26

It's one thing to write a dramatic character, but what if you want to write a comedic one? Do the same storytelling principles apply, or not? And what about the setting? It's yet another story set in New York so how did the writers distinguish it from the NYC we saw in FATAL ATTRACTION and CAN YOU EVER FORGIVE ME? All this and much more in this wee…

1
Everything Everywhere All At Once: was there a script? 54:33

7M ago54:33

54:33

Ok, so basically, this movie is a bunch of action scenes strung together with expository dialogue. It's heavy-handed with theme (dare we say didactic?) and is bizarre even by antiplot standards. But, it's kind of an interesting film to study for worldbuilding all the same. (Oh, and in this episode there's an unintended cameo by Luca, Valerie's yell…

1
Fatal Attraction: who's the villain? 37:00

7M ago37:00

37:00

Hooboy, this movie gets better with age. Why? Because when we watch it through the lens of 2023 it has much more depth and nuance. Glenn Close's character (Alex) is supposed to be the villain, but is she really? If you want to create a multi-dimensional antagonist who drives the plot and raises the stakes, you've got to listen to this episode. For …

1
District 9: worldbuilding 101 46:26

7M ago46:26

46:26

This is an episode you're going to want to bookmark because Melanie is offering up oodles of info about how to create a fictional world your readers will love. Yes, District 9 is science fiction, but the principles apply to all genres and all world types; contemporary, realistic, historical, fantasy...you name it. And Valerie continues her study of…

1
Bridget Jones's Diary: why we love her 31:53

7M ago31:53

31:53

Because the novel is so funny and easy to read, and because the film is a romcom, it's easy to dismiss Bridget Jones's Diary as a simple story that Helen Fielding simply dashed off on a weekend. But nothing could be further from the truth. Even though it's a lighthearted story, Bridget is still a dimensional character and that's why we love her. Fo…

1
Story 101: Poetic Device 16:02

7M ago16:02

16:02

Here's an episode that will help you improve your line writing. Yes, Melanie is focusing on the poetic devices of metaphor, simile, and allegory, but they also apply to prose. So if you want to crank your writing up a notch, this one's for you. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscr…

1
Can You Ever Forgive Me: what's hiding under your bed? 32:00

7M ago32:00

32:00

Very few movies make an adult afraid of what's hiding under her bed, but this is one of them...and it isn't even a horror movie. That's the power of effective world-building! Even though this movie is set in NYC, it's a version of the city that's specific to the protagonist. How is the world of your story specific to your protagonist? For access to…

1
Ray: a product of his environment 32:42

8M ago32:42

32:42

It's a brand new season and that means brand new topics. For the next ten weeks, Valerie will study character development and Melanie will study world-building. These massive topics go hand-in-hand because every protagonist is a product of his/her environment. This is a season you don't want to miss! For access to writing templates and worksheets, …

1
Death on the Nile: the moustache mystery (archive) 48:44

8M ago48:44

48:44

This might be one of Agatha Christie's best known mysteries, but does it work for a modern audience? This week, Valerie and Melanie analyze Sir Kenneth Branagh's version of Christie's classic tale, and discuss just how far into a story the inciting incident can be. And don't miss Melanie's super sleuth skills in action as she uncovers a major plot …

1
Skyfall: m is for mother? (archive) 59:51

8M ago59:51

59:51

In this episode, Melanie's study of subtext has revealed something odd (and slightly uncomfortable). It seems that, according to Skyfall at least, M stands for mother. But why should Judi Dench's M be a maternal figure for James Bond? Valerie's study of Act 2 uncovers a striking similarity to last week's film: Back to the Future. What on earth coul…

1
The Water Horse: keep subplots at bay (archive) 45:26

8M ago45:26

45:26

It's not uncommon for a subplot, or secondary character, to take over a story - especially when a writer is still learning the ropes. So, how do you keep a subplot in check and what do you do if it starts taking over? In this week's episode, Valerie and Melanie discuss just that. For access to writing templates and worksheets, and more than 70 hour…

1
West Side Story: innovative or cliche? (archive episode) 45:43

9M ago45:43

45:43

West Side Story (2021) has been lauded for its depiction of race and racial tension, but how has it handled the love story? In his retelling of this age-old story, did Spielberg innovate the genre or did he perpetuate stereotypes? For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie…

1
Wanted: AI Prompt Engineer 1:02:07

9M ago1:02:07

1:02:07

For better or worse, Generative AI will change the job market. Some professions will disappear and new ones will be created. One of the new jobs popping up is called an AI Prompt Engineer and companies like Netflix have already started their hiring spree. But what exactly is a prompt engineer? Will the job put authors out of business, or will it ul…

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