John E Drabinski public
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Conversations in Atlantic Theory

Journal of French and Francophone Philosophy

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These conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theory to the black Atlantic to sites of indigenous resistance and self-articulation, as well as the complex geography of thinking between traditions, inside traditions, and from positions of insurgency, critique, and counternarrative.
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Podcasted conversation on critical and literary theory, drawing on a range of theorists from Europe, the United States, Caribbean, and Latin America. Our title is drawn from Audre Lorde's essay "Poetry Is Not a Luxury," where she writes that poetry fashions a language where words do not yet exist. How does theory make words and world new, attuned, and embedded within inventive and inventing lived-experience, tradition, and cultural production?
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Podcasted process pieces from my course Black Existentialism. The course introduces one of the most important and potent mid-century intellectual movements - the existentialist movement - through a series of black Atlantic thinkers. Our keystone will be Frantz Fanon’s Black Skin, White Masks, which is arguably the most important work of Black existentialism from this period. Across the semester we will see why existentialism, with its focus on the ambiguities and ambivalences of lived-experi ...
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Spike Lee's Joints

John E. Drabinski

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20-30 minute reflections on particular Spike Lee films, from School Daze up through Black KkKlansman - précis for a book-length study of Lee's cinema, reflections on a course I've taught a number of times at Amherst College and University of Maryland. In these podcast pieces, I pay particular attention to issues of race, class, gender, and sexuality as they emerge inside particular films and in the history-memory of African American life. How does Lee's cinema think? How does sound and image ...
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You’re listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theo…
  continue reading
 
You’re listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theo…
  continue reading
 
A discussion of V.S. Naipaul's The Middle Passage (1962) in relation to Derek Walcott's "The Muse of History" (1974) and "The Antilles" (1992), focused on how Naipaul's melancholia structures his imagination of West Indian history and how Walcott's meditations on paternity and fragmentation reconfigures that imagination.…
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This discussion is with Dr. Mark W. Deets, an Assistant Professor of African and World History and the Director of the Center for American Studies and Research at The American University in Cairo. His research and teaching focus on 19 th and 20th century West African social and cultural history, especially in the Senegambian region. His first book,…
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Today’s discussion is with Dr. Marlene Daut , she is a Professor of French and African American Studies at Yale University and author of the recently published book Awakening the Ashes: An Intellectual History of the Haitian Revolution. She is series editor of New World Studies at UVA Press, co-editor of Global Black History at Public Books, and ha…
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This discussion is with Dr. Eziaku Nwokocha, an Assistant Professor in the Department of Religious Studies at the University of Miami. She is a scholar of Africana religions with expertise in the ethnographic study of Vodou in Haiti and the Haitian diaspora. Her research is grounded in gender and sexuality studies, visual and material culture and A…
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You’re listening to Conversations in Atlantic Theory, a podcast dedicated to books and ideas generated from and about the Atlantic world. In collaboration with the Journal of French and Francophone Philosophy, these conversations explore the cultural, political, and philosophical traditions of the Atlantic world, ranging from European critical theo…
  continue reading
 
A discussion of Julie Dash's Daughters of the Dust and Haile Gerima's Sankofa, centered on the question "What is an African American?" I explore how Dash answers this question by filtering the memory of Africa through the "American" part of African American, but Gerima inverts this prerogative and understands the "American" to be a sign of alienati…
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A discussion of Sarah Maldoror's film Sambizanga (1972) and how it entwines reflections on gender, colonialism, and the everyday. As well, I discuss Maldoror's commitment to making a film infused with mourning and beauty both, which does not compromise the politics of the film but instead, in the aesthetic dimension, teaches a moral lesson about th…
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A discussion of the pairing of Zulu and Battle of Algiers, with particular focus on how each films forms a memory of colonialism. What was the meaning of colonialism? What did it reveal about the colonizer? And who were the colonized, both in the moment of domination and in the moment of revolutionary struggle? I note how defense of the feminine - …
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A discussion of the function of colonialism as a political-psychological and economic presence in the postcolonial nation. With emphasis on how relationships to France wreak death and destruction in the postcolony, I explore how Ousmane Sembène tells a political story through intimate portraits of a young woman seeking adventure (La noire de...) an…
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Short discussion of Robert Townsend's 1987 film Hollywood Shuffle, with particular attention to how the film poses critical questions to putting Black bodies, Black people, and Black life on the screen. I also talk about how the resonance of Hollywood Shuffle might tell us as much about our own consumption patters as it does about the reality of ci…
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This discussion is with Dr. Isaac Joslin who holds a PhD from the University of Minnesota in Francophone Studies. Currently Assistant Professor of Francophone Studies and Global Futures Scholar at Arizona State University, he has travelled extensively for research in Francophone Africa in Côte d’Ivoire, Senegal, Cameroon, Togo, Burkina Faso, Rwanda…
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A discussion of Barry Jenkins' 2016 film Moonlight, with particular focus on the question of masculinity and race. How do touch, vulnerability, and beauty change the way we think about masculine identification? What does it mean to put this vision of masculinity in conversation with Richard Wright's rendering of re-masculation as violence, dominati…
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A treatment of Richard Wright's short story "The Man Who Was Almost A Man," which examines the place of violence, guns, and respect in radicalized formations of masculinity. How does the main character Dave Saunders reimagine his masculinity in a world of emasculation? And how does the gun function as a phallic symbol that is indispensable for imag…
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A discussion of the 1951 film adaptation of Richard Wright's novel Native Son. I am particularly interested in the theme of race and guilt, a theme that is consistent across Wright's work and illuminates his existential themes of condemnation to death and the sociological construction of racial identity in the social relation.…
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A discussion of Richard Wright's short story "The Man Who Lived Underground," which explores themes of visibility, invisibility, life, freedom, and death. In this process piece, I think through the meaning of the underground as invisibility and freedom - with reference to Ralph Ellison's treatment of invisibility in Invisible Man - and the above gr…
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A discussion of Charles Burnett's 1978 film Killer of Sheep, with particular focus on the nihilistic, despairing pessimism of the film. Stan, the main character, has been worn down into an affectless figure whose sense of joy and human contact is all but eliminated. What space is there for joy and pleasure? Is escape possible? Is another sense of s…
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A discussion of Angela Davis' essay "Lecture on Liberation," which examines the structure of self and collective liberation. In particular, I am interested here in how she takes Frederick Douglass' description of his fight with Covey as exemplary of the structure of negation, a structure that tells a story about how to retrieve a sense of authentic…
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A discussion of Sylvia Wynter's essay "Toward the Sociogenic Principle" and Aníbal Quijano's "Coloniality of Power" essay, with particular attention to how each diagnoses the pathologies of the colonial relation, the world is buoys, and the kinds of racial and national identities it produces. How can we think outside the coloniality of power? How c…
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A discussion of Derek Walcott's 1974 essay "The Muse of History," focusing on how his repudiation of "paternity" impacts the question of identity in the black Americas. What is a black American? What is that identity's relationship to European and African ancestry, and the overwhelming frame of empire's history? What other identity stories can be t…
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A conversation about Édouard Glissant's work on creolization, with particular emphasis on how that conceptualization of relation emphasizes both the right to opacity and the necessity of cultural contact. What happens to concepts, to art, to expressive life when it is put in contact with differences? How do vulnerable communities and traditions pro…
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A discussion of Paul Celan's essay "The Meridian," along with companion pieces of Emmanuel Levinas. Claude Lanzmann, and Jacques Derrida, with particular focus on the poetic word's capacity to bring the deconstructive, dismantling, and interruptive function of absence in reckoning with traumatic experience. How does such a word reflect an ethics of…
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A discussion of Hortense Spillers' essay "Mama's Baby, Papa's Maybe: An American Grammar Book," with particular emphasis on the critical possibilities opened up by her interrogation of naming, gender, and race after The Moynihan Report. What does the Report tell us about the status of the phrase "Black woman"? And what remains to be thought after w…
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A comment on Zora Neale Hurston's essay "Characteristics of Negro Expression," with particular emphasis on how those characteristics - angularity, adornment - capture forms of resistance and world-making in an anti-black world. How does expressive life embody a sense of living in its fullest sense, rather than simply surviving regimes of white supr…
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A treatment of George Lamming's 1956 essay "The Negro Writer and His World," with particular emphasis on the task of the colonized writer in creating a literary and readerly tradition, as well as the phases the writer moves through, from the singularity of the call of writing to the social relation of the writer to the highest form of literary comp…
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A discussion of Jean-Paul Sartre's introductory piece to a collection of Négritude poetry. The essay "Black Orpheus" describes the revolutionary power of Black consciousness and its capacity to transform how we understand collective identity. However, Sartre concludes the essay by calling for an eventual surpassing of that consciousness and movemen…
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Long discussion of Julia Kristeva's The Powers of Horror, with special attention to how her theory of abjection informs political strategies of oppression and exploitation rooted in the body. Our discussion works through the conception of the abject and its relation to misogyny and patriarchal cultural formation and reproduction, with particular at…
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