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Dryden vs Shadwell - a Poetic Duel by John Dryden (1631 - 1700) and Thomas Shadwell (1642 - 1692)

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Throughout history there have been many creative artists whose fame depends largely on their association with a much greater artist. Such the case of Thomas Shadwell, poet and prolific writer of low brow comedies, who is today most famous as the butt of satire by one of greatest and most influential English poets, John Dryden. Shadwell and Dryden were at first colleagues and collaborators, but later fell out over some sharp divergences of opinion. In particular, Dryden disagreed with Shadwell's high estimation of Ben Jonson, and even more of the latter's claim to be be Jonson's artistic heir. The most celebrated product of this controversy was Dryden's satirical poem, Mac Flecknoe, in which he presents Shadwell as the apostle of dullness. This elegant satire was first circulated unpublished in pamphlet form and then published in 1682. Shadwell responded with "The Medal of John Bayes" which has as a preface a mocking "Epistle to the Tories." Dryden's reply was a further poem "The Medal" which likewise had a preface: "Epistle to the Whigs." Shadwell is also the subject of harsh reference in Dryden's Absolom and Achitophel (1681). In his lifetime, Shadwell emerged the victor from this dispute. In 1688, James II was deposed, and Dryden, as a Tory and a staunch Catholic, lost both favour at court and the position of Poet Laureate. His successor was Shadwell, a Whig and a convenient rather than a devout Protestant. Forced into retirement, Dryden concentrated on the translations of Latin classics, most notably the Aeneid, which have added further to his stature as poet and dramatist. Shadwell died in 1692, leaving a large body of comedies, which are today considered his best work, but which are rarely performed today. (Summary by Algy Pug)
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5 episodes

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Archived series ("Inactive feed" status)

When? This feed was archived on June 16, 2021 01:08 (3y ago). Last successful fetch was on February 14, 2021 00:07 (3y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1131209
Content provided by LibriVox. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LibriVox or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Throughout history there have been many creative artists whose fame depends largely on their association with a much greater artist. Such the case of Thomas Shadwell, poet and prolific writer of low brow comedies, who is today most famous as the butt of satire by one of greatest and most influential English poets, John Dryden. Shadwell and Dryden were at first colleagues and collaborators, but later fell out over some sharp divergences of opinion. In particular, Dryden disagreed with Shadwell's high estimation of Ben Jonson, and even more of the latter's claim to be be Jonson's artistic heir. The most celebrated product of this controversy was Dryden's satirical poem, Mac Flecknoe, in which he presents Shadwell as the apostle of dullness. This elegant satire was first circulated unpublished in pamphlet form and then published in 1682. Shadwell responded with "The Medal of John Bayes" which has as a preface a mocking "Epistle to the Tories." Dryden's reply was a further poem "The Medal" which likewise had a preface: "Epistle to the Whigs." Shadwell is also the subject of harsh reference in Dryden's Absolom and Achitophel (1681). In his lifetime, Shadwell emerged the victor from this dispute. In 1688, James II was deposed, and Dryden, as a Tory and a staunch Catholic, lost both favour at court and the position of Poet Laureate. His successor was Shadwell, a Whig and a convenient rather than a devout Protestant. Forced into retirement, Dryden concentrated on the translations of Latin classics, most notably the Aeneid, which have added further to his stature as poet and dramatist. Shadwell died in 1692, leaving a large body of comedies, which are today considered his best work, but which are rarely performed today. (Summary by Algy Pug)
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