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Growth of a Soul by August Strindberg (1849 - 1912)

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Johan August Strindberg was a Swedish playwright who has had many of his works read into Librivox by volunteers. From his earliest work, Strindberg developed forms of dramatic action, language, and visual composition so innovative that many were to become technically possible to stage only with the advent of film. He is considered the "father" of modern Swedish literature. The Growth of a Soul is Strindberg's own literary autobiography and recreation of the spirit of the times at Upsala University and his attempts to become a literary artist. The work ends with the publication of his novel The Red Room (1879). It is the autobiography of a thinking soul. He discusses the works of such souls as Friedrich Schiller (1788-1805), Christopher Jacob Boström (1797-1866), Soren Kierkegaard (1813-1855) and Henry Thomas Buckle (1821-1862).(Wikipedia and Soupy)The history of the development of a soul can be sometimes written by giving a simple bibliography; for a man who lives in a narrow circle and never meets great men personally, seeks to make their acquaintance through books. The fact that the same books do not make the same impression, nor have the same effect upon all, shows their relative powerlessness to convert anybody. For example, we call the criticism with which we agree good; the criticism which contradicts our views is bad. Thus we seem to be educated with preconceived views, and the book which strengthens, expresses and develops these makes an impression on us. The danger of a one-sided education through books is that most books, especially those composed at the end of an era, and at the university, are antiquated. The youth who has received old ideals from his parents and teachers is accordingly necessarily out of date before his education is completed. When he enters manhood, he is generally obliged to fling away his whole stock of old ideas, and be born again, as it were. Time has gone by him, while he was reading the old books, and he finds himself a stranger among his contemporaries. August Strindberg
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17 episodes

Artwork
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Archived series ("Inactive feed" status)

When? This feed was archived on September 19, 2021 12:10 (2+ y ago). Last successful fetch was on February 14, 2021 00:06 (3y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 76403
Content provided by LibriVox. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LibriVox or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Johan August Strindberg was a Swedish playwright who has had many of his works read into Librivox by volunteers. From his earliest work, Strindberg developed forms of dramatic action, language, and visual composition so innovative that many were to become technically possible to stage only with the advent of film. He is considered the "father" of modern Swedish literature. The Growth of a Soul is Strindberg's own literary autobiography and recreation of the spirit of the times at Upsala University and his attempts to become a literary artist. The work ends with the publication of his novel The Red Room (1879). It is the autobiography of a thinking soul. He discusses the works of such souls as Friedrich Schiller (1788-1805), Christopher Jacob Boström (1797-1866), Soren Kierkegaard (1813-1855) and Henry Thomas Buckle (1821-1862).(Wikipedia and Soupy)The history of the development of a soul can be sometimes written by giving a simple bibliography; for a man who lives in a narrow circle and never meets great men personally, seeks to make their acquaintance through books. The fact that the same books do not make the same impression, nor have the same effect upon all, shows their relative powerlessness to convert anybody. For example, we call the criticism with which we agree good; the criticism which contradicts our views is bad. Thus we seem to be educated with preconceived views, and the book which strengthens, expresses and develops these makes an impression on us. The danger of a one-sided education through books is that most books, especially those composed at the end of an era, and at the university, are antiquated. The youth who has received old ideals from his parents and teachers is accordingly necessarily out of date before his education is completed. When he enters manhood, he is generally obliged to fling away his whole stock of old ideas, and be born again, as it were. Time has gone by him, while he was reading the old books, and he finds himself a stranger among his contemporaries. August Strindberg
  continue reading

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