In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Beauty of Horror: Episode 17 - Introducing The Good, The Agreeable & The Beautiful
Manage episode 302513061 series 2812448
Content provided by Valeska Griffiths & Joe Lipsett, Valeska Griffiths, and Joe Lipsett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Valeska Griffiths & Joe Lipsett, Valeska Griffiths, and Joe Lipsett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this special edition of The Beauty of Horror, Chandler provides a taste of a new segment, The Good, The Agreeable & The Beautiful. He outlines Immanuel Kant’s definitions of the titular terms and provides a brief review of Clive Barker’s Hellraiser based on each one.
This episode contains discussion of philosophy, outdated views, sexy men with golden boxes, pulsing meat, and, of course, aesthetics!
Want to connect more with the podcast and its guests? Check out the info below!
Twitter:
- Chandler - @_Shockaholic
- Beauty of Horror - @BeautyHorrorPod
Links:
Beauty of Horror
Music by Karl Casey (White Bat Audio)
Cover Art designed by JRGDrawing
Edited by Aviva Dassen
If you enjoyed this episode, please be sure to rate and subscribe!
For more wonderful podcasts like this, be sure to check out anatamoyofascream.com and follow the network on Twitter and Instagram @aoas_xx!
Hosted on Acast. See acast.com/privacy for more information.
342 episodes
Share
Manage episode 302513061 series 2812448
Content provided by Valeska Griffiths & Joe Lipsett, Valeska Griffiths, and Joe Lipsett. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Valeska Griffiths & Joe Lipsett, Valeska Griffiths, and Joe Lipsett or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this special edition of The Beauty of Horror, Chandler provides a taste of a new segment, The Good, The Agreeable & The Beautiful. He outlines Immanuel Kant’s definitions of the titular terms and provides a brief review of Clive Barker’s Hellraiser based on each one.
This episode contains discussion of philosophy, outdated views, sexy men with golden boxes, pulsing meat, and, of course, aesthetics!
Want to connect more with the podcast and its guests? Check out the info below!
Twitter:
- Chandler - @_Shockaholic
- Beauty of Horror - @BeautyHorrorPod
Links:
Beauty of Horror
Music by Karl Casey (White Bat Audio)
Cover Art designed by JRGDrawing
Edited by Aviva Dassen
If you enjoyed this episode, please be sure to rate and subscribe!
For more wonderful podcasts like this, be sure to check out anatamoyofascream.com and follow the network on Twitter and Instagram @aoas_xx!
Hosted on Acast. See acast.com/privacy for more information.
342 episodes
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Similar to Anatomy of a Scream Pod Squad
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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