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Visualizing Emancipation and the Postwar South in the Popular and Fine Arts
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Manage episode 199029434 series 1279384
Content provided by American Social History Project/Center for Media and Learning and American Social History Project · Center for Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Social History Project/Center for Media and Learning and American Social History Project · Center for Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sarah Burns, Indiana UniversityCUNY Graduate Center, July 19, 2016In this discussion, Sarah Burns examines common Civil War narratives in fine arts in this period by examining the work of artists such as William Walker, Thomas Waterman, and Winslow Homer. Burns asks who created the pieces and for what audience and further questioning the works by examining portraits showing a different narrative of African Americans. Ultimately concluding that these works are a contention between white construction and black agency. This talk took place on July 19, 2016, as part of ASHP’s Visual Culture of the Civil War Summer Institute, an NEH professional development program for college and university faculty.
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91 episodes
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Manage episode 199029434 series 1279384
Content provided by American Social History Project/Center for Media and Learning and American Social History Project · Center for Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Social History Project/Center for Media and Learning and American Social History Project · Center for Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sarah Burns, Indiana UniversityCUNY Graduate Center, July 19, 2016In this discussion, Sarah Burns examines common Civil War narratives in fine arts in this period by examining the work of artists such as William Walker, Thomas Waterman, and Winslow Homer. Burns asks who created the pieces and for what audience and further questioning the works by examining portraits showing a different narrative of African Americans. Ultimately concluding that these works are a contention between white construction and black agency. This talk took place on July 19, 2016, as part of ASHP’s Visual Culture of the Civil War Summer Institute, an NEH professional development program for college and university faculty.
…
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91 episodes
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