Artwork

Content provided by British Studies Lecture Series. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by British Studies Lecture Series or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Samuel Beckett: Joycean and Surreal?

 
Share
 

Archived series ("Inactive feed" status)

When? This feed was archived on October 21, 2020 09:10 (3+ y ago). Last successful fetch was on March 10, 2020 23:36 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 231821464 series 1589438
Content provided by British Studies Lecture Series. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by British Studies Lecture Series or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Speaker – Alan Friedman

Scholars tend to label Samuel Beckett’s early career negatively as either his “Joyce years” or his “Surrealist period,” maintaining that Joyce’s writings had a detrimental effect on Beckett’s initial works and that Surrealism was only a minor influence. But both were critical models for Beckett. He mined his powerful predecessors for themes, ideas, and techniques that he used throughout his career, even as he rejected the aspects of them that did not suit him, and increasingly transcended the constraints of their particular styles.

Alan Friedman, Thaman Professor of English and Comparative Literature, specializes in modern British, Irish, and American literature, the novel, and Shakespearean drama. He is the author of six books and has edited a dozen others, as well as coedited four special journal issues on Joyce and Beckett. His honors include the UT’s Civitatis Award, conferred annually for dedicated and meritorious service to the University. For 20 years he coordinated the Actors from the London Stage program and the student group Spirit of Shakespeare. He has chaired the University’s Faculty Council and is currently Secretary of the General Faculty.

  continue reading

54 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on October 21, 2020 09:10 (3+ y ago). Last successful fetch was on March 10, 2020 23:36 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 231821464 series 1589438
Content provided by British Studies Lecture Series. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by British Studies Lecture Series or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Speaker – Alan Friedman

Scholars tend to label Samuel Beckett’s early career negatively as either his “Joyce years” or his “Surrealist period,” maintaining that Joyce’s writings had a detrimental effect on Beckett’s initial works and that Surrealism was only a minor influence. But both were critical models for Beckett. He mined his powerful predecessors for themes, ideas, and techniques that he used throughout his career, even as he rejected the aspects of them that did not suit him, and increasingly transcended the constraints of their particular styles.

Alan Friedman, Thaman Professor of English and Comparative Literature, specializes in modern British, Irish, and American literature, the novel, and Shakespearean drama. He is the author of six books and has edited a dozen others, as well as coedited four special journal issues on Joyce and Beckett. His honors include the UT’s Civitatis Award, conferred annually for dedicated and meritorious service to the University. For 20 years he coordinated the Actors from the London Stage program and the student group Spirit of Shakespeare. He has chaired the University’s Faculty Council and is currently Secretary of the General Faculty.

  continue reading

54 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide