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Whatever, Nevermind No. 17: Screaming Trees - Sweet Oblivion w/Tom Gigliotti

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Content provided by cobrasfire and Loose Cannon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by cobrasfire and Loose Cannon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Coming in at number 17 on Rolling Stones Greatest Grunge Albums list is the 1992 album from Screaming Trees, Sweet Oblivion. Joining Bakko for this episode is co-host of the Shout It Out Loudcast Tom Gigliotti. Tom and Bakko take a deep dive on this standout album from a Seattle Grunge band that is often overlooked.

The Screaming Trees one-upped their major-label debut, Uncle Anesthesia, with this solid, vastly underrated effort. Sweet Oblivion's lead single, the jumpy hard rocker "Nearly Lost You," proved itself a highlight on the hugely successful, Seattle-themed Singles soundtrack. But even though the Screaming Trees stacked up quite well against their more famous peers in that particular showcase, the exposure didn't make them stars. Perhaps it was because Sweet Oblivion had been released several months before Singles, and the band thus couldn't build a sense of anticipation for a new album release, the way Alice in Chains and Smashing Pumpkins did for Dirt and Siamese Dream, respectively; nor could they capitalize on the extra publicity that goes along with new releases. For whatever reason, Singles didn't push sales of Sweet Oblivion, as the latter only scraped the lower reaches of the Billboard charts. And that's a shame, because the record is quite good -- the best songs here are easily among the best in their catalog, and the songwriting was their most consistent yet. "Nearly Lost You" is a standout, of course, but "Dollar Bill," "Shadow of the Season," and "Butterfly" are nearly as impressive. Mark Lanegan's raspy voice conveys a weary wistfulness that adds an unexpected dimension to the group's otherwise macho garage-psych grunge. The Trees no longer sound all that punkish, trading in some of their early, noisy fury for a more '70s-indebted hard rock sound, but it's done with a graceful power that proves they were at least the equal of their more famous fellow scenesters. Unfortunately, the four-year hiatus between Sweet Oblivion and its follow-up, Dust, ensured that the band would be forever relegated to cult status. - All Music

About Whatever, Nevermind

Whatever, Nevermind is a 25 part sidecast counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more.

Whatever, Nevermind Archive:

https://cobrasandfire.com/category/podcast/whatever-nevermind/

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

549 episodes

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Manage episode 268874792 series 127548
Content provided by cobrasfire and Loose Cannon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by cobrasfire and Loose Cannon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Coming in at number 17 on Rolling Stones Greatest Grunge Albums list is the 1992 album from Screaming Trees, Sweet Oblivion. Joining Bakko for this episode is co-host of the Shout It Out Loudcast Tom Gigliotti. Tom and Bakko take a deep dive on this standout album from a Seattle Grunge band that is often overlooked.

The Screaming Trees one-upped their major-label debut, Uncle Anesthesia, with this solid, vastly underrated effort. Sweet Oblivion's lead single, the jumpy hard rocker "Nearly Lost You," proved itself a highlight on the hugely successful, Seattle-themed Singles soundtrack. But even though the Screaming Trees stacked up quite well against their more famous peers in that particular showcase, the exposure didn't make them stars. Perhaps it was because Sweet Oblivion had been released several months before Singles, and the band thus couldn't build a sense of anticipation for a new album release, the way Alice in Chains and Smashing Pumpkins did for Dirt and Siamese Dream, respectively; nor could they capitalize on the extra publicity that goes along with new releases. For whatever reason, Singles didn't push sales of Sweet Oblivion, as the latter only scraped the lower reaches of the Billboard charts. And that's a shame, because the record is quite good -- the best songs here are easily among the best in their catalog, and the songwriting was their most consistent yet. "Nearly Lost You" is a standout, of course, but "Dollar Bill," "Shadow of the Season," and "Butterfly" are nearly as impressive. Mark Lanegan's raspy voice conveys a weary wistfulness that adds an unexpected dimension to the group's otherwise macho garage-psych grunge. The Trees no longer sound all that punkish, trading in some of their early, noisy fury for a more '70s-indebted hard rock sound, but it's done with a graceful power that proves they were at least the equal of their more famous fellow scenesters. Unfortunately, the four-year hiatus between Sweet Oblivion and its follow-up, Dust, ensured that the band would be forever relegated to cult status. - All Music

About Whatever, Nevermind

Whatever, Nevermind is a 25 part sidecast counting down the 25 Greatest Grunge albums according to Rolling Stone. Each Episode features a special guest host from the Podcast Community. In addition to the 25 album episodes will be bonus interviews from the people responsible for the music. Featuring artists, producers record label execs and more.

Whatever, Nevermind Archive:

https://cobrasandfire.com/category/podcast/whatever-nevermind/

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

549 episodes

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