In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 002: Kevin Shaw
Manage episode 151373146 series 1026366
Content provided by Josh Petok. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Josh Petok or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On this episode of The Colorist Podcast, I talk with Kevin Shaw, CSI. Kevin is the Senior Colorist at Final Frame, London and a 30 year veteran of the industry. His commercial credits include work for IKEA, Jaguar and Levis, as well as the movies “Monsters” and “Streetdance 3D.” In addition to his work as a colorist, Kevin is a founding member of the Colorist Society International, as well as a trainer for ICA.
We discuss some misconceptions about HDR and grading, doing VFX in the color bay, and why the Colorist Society was formed.
Kevin Shaw’s Personal Website
Final Frame, London
International Colorist Academy
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Share
Manage episode 151373146 series 1026366
Content provided by Josh Petok. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Josh Petok or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On this episode of The Colorist Podcast, I talk with Kevin Shaw, CSI. Kevin is the Senior Colorist at Final Frame, London and a 30 year veteran of the industry. His commercial credits include work for IKEA, Jaguar and Levis, as well as the movies “Monsters” and “Streetdance 3D.” In addition to his work as a colorist, Kevin is a founding member of the Colorist Society International, as well as a trainer for ICA.
We discuss some misconceptions about HDR and grading, doing VFX in the color bay, and why the Colorist Society was formed.
Kevin Shaw’s Personal Website
Final Frame, London
International Colorist Academy
Colorist Society International (CSI)
23 episodes
All episodes
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Similar to Colorist Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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Go offline with the Player FM app!
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