this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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Auber starts a riot
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Manage episode 436993776 series 2996988
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Synopsis
Many operatic works have been described as “revolutionary,” but on today’s date in 1830, a performance of an opera helped to spark a real, take-to-the-streets kind of revolution.
The opera in question was by the French composer Daniel Auber, and entitled La Muette di Portici, or The Mute Girl of Portici. The opera’s story concerns a 17th century uprising by some patriots in Naples against their Spanish rulers ends with an erupting Italian volcano.
On today’s date in 1830 it was being staged at the Theatre La Monnaie in Brussels, a country then under the control of the Dutch. The opera’s story of evil occupiers and patriotic rebels must have touched a raw nerve in many in the Belgian audience.
Upon hearing the line in the opera, “a slave knows no danger, as death is better than living in chains,” some in the audience began a demonstration against the hated Dutch authorities. The demonstration grew more and more heated, and then, just like the volcano in Auber’s opera, erupted out of the theater and into the streets. Symbols of Dutch authority were attacked, a new provisional government was formed, and by November that same year Belgium had declared its independence.
Music Played in Today's Program
Daniel Auber (1782-1871): La Muette de Portici; soloists; Monte Carlo Philharmonic; Thomas Fulton, conductor; EMI 49248
95 episodes
MP3•Episode home
Manage episode 436993776 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
Many operatic works have been described as “revolutionary,” but on today’s date in 1830, a performance of an opera helped to spark a real, take-to-the-streets kind of revolution.
The opera in question was by the French composer Daniel Auber, and entitled La Muette di Portici, or The Mute Girl of Portici. The opera’s story concerns a 17th century uprising by some patriots in Naples against their Spanish rulers ends with an erupting Italian volcano.
On today’s date in 1830 it was being staged at the Theatre La Monnaie in Brussels, a country then under the control of the Dutch. The opera’s story of evil occupiers and patriotic rebels must have touched a raw nerve in many in the Belgian audience.
Upon hearing the line in the opera, “a slave knows no danger, as death is better than living in chains,” some in the audience began a demonstration against the hated Dutch authorities. The demonstration grew more and more heated, and then, just like the volcano in Auber’s opera, erupted out of the theater and into the streets. Symbols of Dutch authority were attacked, a new provisional government was formed, and by November that same year Belgium had declared its independence.
Music Played in Today's Program
Daniel Auber (1782-1871): La Muette de Portici; soloists; Monte Carlo Philharmonic; Thomas Fulton, conductor; EMI 49248
95 episodes
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