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Ey Up Live with Bryony Bond

1:14:19
 
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Archived series ("Inactive feed" status)

When? This feed was archived on December 20, 2020 01:28 (3+ y ago). Last successful fetch was on October 31, 2019 01:59 (4+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 202131613 series 1908209
Content provided by Harry Meadley. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Harry Meadley or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this first attempt at a live audience recording made upon my return to Leeds, and to resuming the podcast at The Tetley, I speak with their artistic director Bryony Bond about how the podcast has been going and what I’ve learnt from it. All while essentially trying to ignore the presence of the audience who had kindly attended. It became more of a performance work than I would have predicted – an odder situation than might be obvious from the recording itself in which I’ve also tried my best to remove their sonic presence. Made it feel more like an artwork at least.
More importantly, however, we were able to learn about Bryony’s artistic origins, her thoughts on curating, working with artists, really, really liking exhibitions, the first ever project she worked on now being re-shown as part of Mark Dion’s current exhibition at Whitechapel Gallery, shaping an organisation, institutional personability, and we generally realise our approaches and intentions are not too dissimilar.
Also realised something I should have done at the event itself is to massively thank Bryony, Georgia, and everyone at The Tetley for letting me record the podcast there and for all their wonderful support – thank you!

  continue reading

55 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on December 20, 2020 01:28 (3+ y ago). Last successful fetch was on October 31, 2019 01:59 (4+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 202131613 series 1908209
Content provided by Harry Meadley. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Harry Meadley or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this first attempt at a live audience recording made upon my return to Leeds, and to resuming the podcast at The Tetley, I speak with their artistic director Bryony Bond about how the podcast has been going and what I’ve learnt from it. All while essentially trying to ignore the presence of the audience who had kindly attended. It became more of a performance work than I would have predicted – an odder situation than might be obvious from the recording itself in which I’ve also tried my best to remove their sonic presence. Made it feel more like an artwork at least.
More importantly, however, we were able to learn about Bryony’s artistic origins, her thoughts on curating, working with artists, really, really liking exhibitions, the first ever project she worked on now being re-shown as part of Mark Dion’s current exhibition at Whitechapel Gallery, shaping an organisation, institutional personability, and we generally realise our approaches and intentions are not too dissimilar.
Also realised something I should have done at the event itself is to massively thank Bryony, Georgia, and everyone at The Tetley for letting me record the podcast there and for all their wonderful support – thank you!

  continue reading

55 episodes

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