In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Manage episode 335010951 series 3009401
Content provided by Maximum Fun and Jordan Crucchiola. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maximum Fun and Jordan Crucchiola or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
W. Kamau Bell (United Shades of America, We Need to Talk about Cosby) has carved out his own, personalized niche in media, a blend of comedy, documentary, and community. His path didn’t always make sense to his peers, but he forged ahead because he felt that his mission was clear. That’s just one thing he has in common with Denzel Washington’s Eli from the underloved 2010 “post-apocalyptic neo-Western” The Book of Eli.
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With Jordan Crucchiola and W. Kamau Bell
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Manage episode 335010951 series 3009401
Content provided by Maximum Fun and Jordan Crucchiola. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Maximum Fun and Jordan Crucchiola or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
W. Kamau Bell (United Shades of America, We Need to Talk about Cosby) has carved out his own, personalized niche in media, a blend of comedy, documentary, and community. His path didn’t always make sense to his peers, but he forged ahead because he felt that his mission was clear. That’s just one thing he has in common with Denzel Washington’s Eli from the underloved 2010 “post-apocalyptic neo-Western” The Book of Eli.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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