In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 14 - Even the Way We're Sitting Right Now Is So Dramatic (1x20: Theatricality & 1x21: Funk)
Manage episode 240963689 series 2519495
Content provided by GLEEwind Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by GLEEwind Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This is a rough one, guys. This week we fall into a deep funk, as we discuss episodes 1x20: “Theatricality” and 1x21: “Funk”. On the former, it’s Gaga week at McKinley, Rachel has the most misguided first encounter with her birth mother, and Finn says the “F” word. On the latter, Will tries to seduce Sue to disarm her, Vocal Adrenaline strikes back, and Quinn dances while pregnant; a lot. Us? We’d just rather talk about Beanie Feldstein.
We discuss:
1x20: Theatricality
Written and directed by: Ryan Murphy
1x21: Funk
Written by: Ian Brennan
Directed by: Elodie Keene
- ‘American Crime Story’ Season 3 to Tackle Clinton Impeachment With Beanie Feldstein as Monica Lewinsky
- Outro Song: Ex-Wives - Six the Musical
New episodes of GLEEwind come out every Wednesday!
Don't forget to subscribe, rate and review! We are on Apple Podcasts, Stitcher, Spotify and Google Play!
Follow us on Twitter:
@Gleewindpod
Jorge @colormejorge
Michael @as_seenontv
52 episodes
Share
Manage episode 240963689 series 2519495
Content provided by GLEEwind Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by GLEEwind Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This is a rough one, guys. This week we fall into a deep funk, as we discuss episodes 1x20: “Theatricality” and 1x21: “Funk”. On the former, it’s Gaga week at McKinley, Rachel has the most misguided first encounter with her birth mother, and Finn says the “F” word. On the latter, Will tries to seduce Sue to disarm her, Vocal Adrenaline strikes back, and Quinn dances while pregnant; a lot. Us? We’d just rather talk about Beanie Feldstein.
We discuss:
1x20: Theatricality
Written and directed by: Ryan Murphy
1x21: Funk
Written by: Ian Brennan
Directed by: Elodie Keene
- ‘American Crime Story’ Season 3 to Tackle Clinton Impeachment With Beanie Feldstein as Monica Lewinsky
- Outro Song: Ex-Wives - Six the Musical
New episodes of GLEEwind come out every Wednesday!
Don't forget to subscribe, rate and review! We are on Apple Podcasts, Stitcher, Spotify and Google Play!
Follow us on Twitter:
@Gleewindpod
Jorge @colormejorge
Michael @as_seenontv
52 episodes
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Similar to GLEEwind
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
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Determining if all these so called classic films are indeed just that.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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