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Nat Cassidy, Matthew Trumbull, and Arthur Aulisi of “The Temple, or, Lebensraum”
Archived series ("Inactive feed" status)
When? This feed was archived on December 18, 2017 16:21 (). Last successful fetch was on November 08, 2017 15:25 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
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Manage episode 163723439 series 7784
It surprised me to hear that Nat Cassidy‘s new work The Temple, or, Lebensraum, currently running at The Brick, was based on a story by godfather of horror H. P. Lovecraft, because in all my collections of the man’s writings, I hadn’t read it.
It’s an early piece of his, available for free online, so I breezed through it on my way to the theatre. But where the original is a small (and, truth be told, somewhat weak) tale from 1920 set on a German submarine in World War I, Cassidy’s adaptation moves that submarine to 1943 (and is anything but weak).
While it’s completely unnecessary to read the story in advance, if you’re familiar with it, you’ll see a lot that’s familiar (dolphins!); but you’ll also quickly realize this isn’t just a stage adaptation. This is full adaptation, pulling the undersea dread of Lovecraft’s short story from simply a fear of the unknown into a complex play simultaneously weaving in fear of a well-known terror that humanity constantly struggles with: the fight amongst ourselves for power, and self-preservation.
Now that’s horror.
Listen in as Nat, along with two of the show’s actors, Arthur Aulisi and Matthew Trumbull, discuss why this particular Lovecraft story and why it’s set in WWII, “terrible things,” finding authentic costumes for your show, I am Providence, and dealing with things that are way too huge for the human mind.
“I try to parse out what it is in our souls, or in our psyches…why it is that we find chaos so terrifying. What does it make us ask, what does it force us to confront about ourselves…to find the humanity in horror…”
“There’s a very strong…you can’t even call it an undercurrent, it’s the main current of the show, is joking, and humor…one of the many reasons for that is horror and humor are hand in hand, they’re so intricately related…”
Tin Drum Productions and MozzleStead present
The Temple, or, Lebensraum
written and directed by Nat Cassidy
Wednesday, February 18th
Thursday, February 19th
Friday, February 20th
Saturday, February 21st
Tuesday, February 24th
Wednesday, February 25th
Thursday, February 26th
Friday, February 27th
Saturday, February 28th
all performances at 7:30pm
The Brick
579 Metropolitan Avenue
Brooklyn
tickets: $18, available via OvationTix
photos by Michael Markham
220 episodes
Archived series ("Inactive feed" status)
When? This feed was archived on December 18, 2017 16:21 (). Last successful fetch was on November 08, 2017 15:25 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 163723439 series 7784
It surprised me to hear that Nat Cassidy‘s new work The Temple, or, Lebensraum, currently running at The Brick, was based on a story by godfather of horror H. P. Lovecraft, because in all my collections of the man’s writings, I hadn’t read it.
It’s an early piece of his, available for free online, so I breezed through it on my way to the theatre. But where the original is a small (and, truth be told, somewhat weak) tale from 1920 set on a German submarine in World War I, Cassidy’s adaptation moves that submarine to 1943 (and is anything but weak).
While it’s completely unnecessary to read the story in advance, if you’re familiar with it, you’ll see a lot that’s familiar (dolphins!); but you’ll also quickly realize this isn’t just a stage adaptation. This is full adaptation, pulling the undersea dread of Lovecraft’s short story from simply a fear of the unknown into a complex play simultaneously weaving in fear of a well-known terror that humanity constantly struggles with: the fight amongst ourselves for power, and self-preservation.
Now that’s horror.
Listen in as Nat, along with two of the show’s actors, Arthur Aulisi and Matthew Trumbull, discuss why this particular Lovecraft story and why it’s set in WWII, “terrible things,” finding authentic costumes for your show, I am Providence, and dealing with things that are way too huge for the human mind.
“I try to parse out what it is in our souls, or in our psyches…why it is that we find chaos so terrifying. What does it make us ask, what does it force us to confront about ourselves…to find the humanity in horror…”
“There’s a very strong…you can’t even call it an undercurrent, it’s the main current of the show, is joking, and humor…one of the many reasons for that is horror and humor are hand in hand, they’re so intricately related…”
Tin Drum Productions and MozzleStead present
The Temple, or, Lebensraum
written and directed by Nat Cassidy
Wednesday, February 18th
Thursday, February 19th
Friday, February 20th
Saturday, February 21st
Tuesday, February 24th
Wednesday, February 25th
Thursday, February 26th
Friday, February 27th
Saturday, February 28th
all performances at 7:30pm
The Brick
579 Metropolitan Avenue
Brooklyn
tickets: $18, available via OvationTix
photos by Michael Markham
220 episodes
All episodes
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