In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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"Locked Down," "The Dig," "American Skin"
Manage episode 282540572 series 1428685
Content provided by Grierson & Leitch. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Grierson & Leitch or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We're back! We're back! It has been QUITE THE MONTH since we saw you last. We missed you. And boy we missed a lot! After we talk about democracy's peril, we dig into three new movies. First, the quarantine heist comedy "Locked Down." Then it's Ralph Fiennes, Carey Mulligan and Lily James in Netflix's "The Dig." And then Nate Parker's "American Skin." Timestamps: 13:25 "Locked Down" 34:36 "The Dig" 51:25 "American Skin" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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419 episodes
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Manage episode 282540572 series 1428685
Content provided by Grierson & Leitch. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Grierson & Leitch or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We're back! We're back! It has been QUITE THE MONTH since we saw you last. We missed you. And boy we missed a lot! After we talk about democracy's peril, we dig into three new movies. First, the quarantine heist comedy "Locked Down." Then it's Ralph Fiennes, Carey Mulligan and Lily James in Netflix's "The Dig." And then Nate Parker's "American Skin." Timestamps: 13:25 "Locked Down" 34:36 "The Dig" 51:25 "American Skin" Thanks to Dylan Mayer and My Friend Mary, both of which are wonderful, for the music. We hope you enjoy. Let us know what you think @griersonleitch on Twitter, or griersonleitch@gmail.com. As always, give us a review on iTunes with the name of a movie you'd like us to review, and we'll discuss it on a later podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
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Similar to Grierson & Leitch
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
Jim and A.Ron review each week's episode of HBO's House of the Dragon and your feedback.
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
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