In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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BPS 058: Confessions of a Hollywood Script Doctor with Peter Douglas Russell
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Manage episode 247762074 series 2557610
Content provided by IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today's guest is screenwriter and Hollywood script doctor Peter Douglas Russell. I wanted to go deep into the back alleys of what Hollywood script doctors actually do in the business. Peter's conversation was eye-opening, to say the least. Peter Russell sold two television pilots in 2017. He enjoys working on projects both as a ghostwriter and as a consultant. And he can both write and teach what he knows. So many successful screenwriters and producers have no idea how to teach what they do, and so many teachers can’t actually sell stories. But Peter does both. Peter was UCLA’s Teacher of the Year in 2009. He invented (along with his then partner Cecilia Najar) a process called The Storymaker which you can use to quickly develop an original, complex, vivid story from a single idea — and the Storymaker is helping scores of his students shape wonderful stories. Peter started as a story analyst in the 1990s and has read over 6,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment and dozens of others. As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. He got good at it — really good. Peter was invited to teach at UCLA in 2004, and it became a passion, too. He has now been invited to teach television pilot and film story creation at Pepperdine University’s Seaver College Screenwriting MFA program, at Story Expo in LA and New York, and many others. Meanwhile, Peter has turned The Storymaker into the most powerful tool for helping storytellers create original vivid stories. Simply and quickly. Enjoy my conversation with Peter Douglas Russell.
…
continue reading
1998 episodes
MP3•Episode home
Manage episode 247762074 series 2557610
Content provided by IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by IFH Filmmaking & Screenwriting Podcast Network, Alex Ferrari | Filmmaker, Visual Effects, DP, Film Distribution, and Film Business or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today's guest is screenwriter and Hollywood script doctor Peter Douglas Russell. I wanted to go deep into the back alleys of what Hollywood script doctors actually do in the business. Peter's conversation was eye-opening, to say the least. Peter Russell sold two television pilots in 2017. He enjoys working on projects both as a ghostwriter and as a consultant. And he can both write and teach what he knows. So many successful screenwriters and producers have no idea how to teach what they do, and so many teachers can’t actually sell stories. But Peter does both. Peter was UCLA’s Teacher of the Year in 2009. He invented (along with his then partner Cecilia Najar) a process called The Storymaker which you can use to quickly develop an original, complex, vivid story from a single idea — and the Storymaker is helping scores of his students shape wonderful stories. Peter started as a story analyst in the 1990s and has read over 6,000+ screenplays for major film and television giants including Imagine Entertainment, Participant Productions, HBO, CBS, Walden Entertainment and dozens of others. As he read these scripts, he started seeing deep, hidden patterns in the best stories. He wrote these down and started getting jobs FIXING writer’s stories. He got good at it — really good. Peter was invited to teach at UCLA in 2004, and it became a passion, too. He has now been invited to teach television pilot and film story creation at Pepperdine University’s Seaver College Screenwriting MFA program, at Story Expo in LA and New York, and many others. Meanwhile, Peter has turned The Storymaker into the most powerful tool for helping storytellers create original vivid stories. Simply and quickly. Enjoy my conversation with Peter Douglas Russell.
…
continue reading
1998 episodes
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