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Declan Clarke

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Archived series ("Inactive feed" status)

When? This feed was archived on September 14, 2018 01:30 (5+ y ago). Last successful fetch was on August 06, 2018 12:43 (5+ y ago)

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Manage episode 173980976 series 167495
Content provided by Brainard Carey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brainard Carey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Declan Clarke, photo by Nikola Radi? Lucati

Declan Clarke is an artist and filmmaker. He studied at the National College of Art and Design, Dublin, and the Chelsea College of Art and Design, London. In 2002/03 he was awarded the PS1MOMA International Residency Program by The Arts Council of Ireland.

Recent solo exhibitions include I Wanted to Share My Lover’s Fate, Farbvision, Berlin; Declan Clarke: Recent Film Work, Torrence Art Museum, Los Angeles, USA; The Hopeless End of a Great Dream, Temple Bar Gallery, Dublin, Belfast Exposed, Belfast, and the Centre Culturel Irlandais, Paris; Geist Trilogie, Tromsø Kunstforening, Norway, (all 2016). Wreckage in May, Dublin City Gallery the Hugh Lane, Dublin, 2015; Group Portrait with Explosives, Mother’s Tankstation, Dublin, 2014.

Recent group exhibitions include: Transmediale 2016, Haus der Kulturen der Welt, Berlin; Over You/You Ljubljana Biennial of Graphic Arts, Ljubljana, Slovenia; The Shock of Victory, Centre for Contemporary Arts, Glasgow; The Heart is Deceitful Above All Things, HOME, Manchester; Un-Speak, CCA Lagos, Nigeria, 2015; Invisible Violence, Salzburger Kunstverein, Salzburg, Austria, MOCA Belgrade, Serbia, Basque Museum of Contemporary Art, Vitoria, Spain 2014/5; Built With Love, Mother’s Tankstation, Dublin, 2013; We Are Grammar, Pratt Manhattan, New York.

His films have recently been included in the FID-Marseille International Film Festival, in 2016 and 2013; Tromsø International Film Festival in 2014; Cinéphémère, Jardin Des Tuilieries, FIAC, Paris, 2013 and 2016. In 2016 he won the Jury Prize at the Ljubljana Biennial of Graphic Arts.

The Most Cruel of All Goddesses, 2015, 16mm film, 60 minutes
The Hopeless End of A Great Dream, 2016, 16mm film, 65 minutes
  continue reading

491 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on September 14, 2018 01:30 (5+ y ago). Last successful fetch was on August 06, 2018 12:43 (5+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 173980976 series 167495
Content provided by Brainard Carey. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brainard Carey or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Declan Clarke, photo by Nikola Radi? Lucati

Declan Clarke is an artist and filmmaker. He studied at the National College of Art and Design, Dublin, and the Chelsea College of Art and Design, London. In 2002/03 he was awarded the PS1MOMA International Residency Program by The Arts Council of Ireland.

Recent solo exhibitions include I Wanted to Share My Lover’s Fate, Farbvision, Berlin; Declan Clarke: Recent Film Work, Torrence Art Museum, Los Angeles, USA; The Hopeless End of a Great Dream, Temple Bar Gallery, Dublin, Belfast Exposed, Belfast, and the Centre Culturel Irlandais, Paris; Geist Trilogie, Tromsø Kunstforening, Norway, (all 2016). Wreckage in May, Dublin City Gallery the Hugh Lane, Dublin, 2015; Group Portrait with Explosives, Mother’s Tankstation, Dublin, 2014.

Recent group exhibitions include: Transmediale 2016, Haus der Kulturen der Welt, Berlin; Over You/You Ljubljana Biennial of Graphic Arts, Ljubljana, Slovenia; The Shock of Victory, Centre for Contemporary Arts, Glasgow; The Heart is Deceitful Above All Things, HOME, Manchester; Un-Speak, CCA Lagos, Nigeria, 2015; Invisible Violence, Salzburger Kunstverein, Salzburg, Austria, MOCA Belgrade, Serbia, Basque Museum of Contemporary Art, Vitoria, Spain 2014/5; Built With Love, Mother’s Tankstation, Dublin, 2013; We Are Grammar, Pratt Manhattan, New York.

His films have recently been included in the FID-Marseille International Film Festival, in 2016 and 2013; Tromsø International Film Festival in 2014; Cinéphémère, Jardin Des Tuilieries, FIAC, Paris, 2013 and 2016. In 2016 he won the Jury Prize at the Ljubljana Biennial of Graphic Arts.

The Most Cruel of All Goddesses, 2015, 16mm film, 60 minutes
The Hopeless End of A Great Dream, 2016, 16mm film, 65 minutes
  continue reading

491 episodes

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