In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 283: ‘Saint Omer’ with Ellie Foumbi
Manage episode 354367710 series 62295
Content provided by MaximumFun.org. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MaximumFun.org or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Since winning the Grand Jury prize at the Venice Film festival, SAINT OMER, a movie based on the real life experience of its French-Senegalese director Alice Diop, has appeared on many critics’ lists, and is now becoming available to see in the US. Ellie Foumbi, director of Spirit Award nominee Our Father, The Devil (which also screened in Venice!) is our guest.
Then, we hear Hall of Excellence results and take a Hotline call about critically acclaimed movies that are hard to see in much of the country.
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Alonso - Everything’s coming up Company
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Ellie - Norman Malone: For the Left Hand
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Ify Nwadiwe
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Alonso Duralde
Ellie Foumbi
Follow us on BlueSky, Twitter, Facebook, or Instagram
With
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Sr. Producer Laura Swisher
355 episodes
Share
Manage episode 354367710 series 62295
Content provided by MaximumFun.org. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MaximumFun.org or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Since winning the Grand Jury prize at the Venice Film festival, SAINT OMER, a movie based on the real life experience of its French-Senegalese director Alice Diop, has appeared on many critics’ lists, and is now becoming available to see in the US. Ellie Foumbi, director of Spirit Award nominee Our Father, The Devil (which also screened in Venice!) is our guest.
Then, we hear Hall of Excellence results and take a Hotline call about critically acclaimed movies that are hard to see in much of the country.
What’s Good
Alonso - Everything’s coming up Company
Drea - Willow TV Series
Ellie - Norman Malone: For the Left Hand
Ify - snowboarding and dad stories
ITIDIC
- Winners Have Been Announced at the Sundance Film Festival
- The Academy Reviewing Its “Campaign Procedures”
- Regal Cinemas to Screen all Best Picture Nominees
Staff Picks
Alonso - Atlantics
Drea - The Inspection
Ellie - An Elephant Sitting Still
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Our sponsor this week is Star of Magnolia
Support independent filmmakers on their quest to make their first feature film, KING TARA. Visit www.gofundme.com/kingtarafilm
With:
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Ellie Foumbi
Follow us on BlueSky, Twitter, Facebook, or Instagram
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Similar to Maximum Film!
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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continue reading
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continue reading
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continue reading
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…
continue reading
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continue reading
En gång i veckan ägnar de en timme åt varandra, i ett samtal som ingen jävel får störa. Kan de inte bara få göra det? Låt dem hålla på! Det är NYTTIGT för dem.
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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