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Beethoven's Seventh, Eighth, and Ninth Symphonies

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Manage episode 308600486 series 3016185
Content provided by Canada's National Arts Centre. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Canada's National Arts Centre or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sean Rice, NAC Orchestra’s 2nd clarinetist, and NAC Music Director Alexander Shelley complete their three-episode series on Beethoven’s nine symphonies for the 2018 Beethoven Focus Festival. The seventh symphony’s funeral march starts off the conversation. The 1813 premiere of the work featured an encore of the funeral march. What made it so significant? The eighth symphony was “much better” in Beethoven’s opinion than the seventh. The harmonic architecture of its first movement is rather unusual for the day, while the next two movements are very classical. The short, quick and witty fourth movement harks back to the first movement. But the ninth… The ninth symphony is of a scale that he had never before undertaken. Sean Rice and Alexander Shelley discuss this marvelous work beginning by its last movement, and lay out the political climate in Vienna at the time, making a connection between the ninth and Beethoven’s influences. “Be embraced, you millions: this kiss is for the whole world”.
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158 episodes

Artwork
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Archived series ("Inactive feed" status)

When? This feed was archived on October 13, 2022 17:56 (1+ y ago). Last successful fetch was on August 02, 2022 01:30 (1+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 308600486 series 3016185
Content provided by Canada's National Arts Centre. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Canada's National Arts Centre or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sean Rice, NAC Orchestra’s 2nd clarinetist, and NAC Music Director Alexander Shelley complete their three-episode series on Beethoven’s nine symphonies for the 2018 Beethoven Focus Festival. The seventh symphony’s funeral march starts off the conversation. The 1813 premiere of the work featured an encore of the funeral march. What made it so significant? The eighth symphony was “much better” in Beethoven’s opinion than the seventh. The harmonic architecture of its first movement is rather unusual for the day, while the next two movements are very classical. The short, quick and witty fourth movement harks back to the first movement. But the ninth… The ninth symphony is of a scale that he had never before undertaken. Sean Rice and Alexander Shelley discuss this marvelous work beginning by its last movement, and lay out the political climate in Vienna at the time, making a connection between the ninth and Beethoven’s influences. “Be embraced, you millions: this kiss is for the whole world”.
  continue reading

158 episodes

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