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If you don t know what to say, then how you say it isn t going to matter. That s one of the concluding points of the blog post by Brian Clark that is featured in this episode — a blog post that was inspired by one of the great films of our time.
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- Original blog post: Content Marketing as Seduction by Brian Clark
Jerod Morris: Welcome to Sites, a podcast by the teams at StudioPress and Copyblogger. In this show, we deliver time-tested insight on the four pillars of a successful WordPress website: content, design, technology, and strategy. We want to help you get a little bit closer to reaching your online goals, one episode at a time.
I m your host Jerod Morris.
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Welcome back for another of Sites. It is wonderful to have you here with me for another week of talking about how we can build more powerful and successful websites.
Last week, we discussed how to decide which content to sell and what to give away for free with some excellent rules of thumb from Chris Garrett.
This week, we re going to talk about how to use your content to properly seduce your audience members and prospects to continue along on their journey with you.
Because whether it s free content or paid content, you re always trying to help people take the next step — and you want that next step to be with you, of course. But how do you establish that strong of a connection? Your content has to do a lot of the heavy lifting.
But if you don t know what to say, then how you say it isn t going to matter.
That s one of the concluding points of the blog post by Brian Clark that I m about to read to you — a blog post that was inspired by one of the great films of our time.
Let s jump right into it.
Let s talk about content marketing as seduction.
Content Marketing as Seduction
Phil Connors is having a bad day over, and over, and over.
The arrogant Pittsburgh weatherman has once again been sent to cover the annual Groundhog Day event in Punxsutawney, Pennsylvania. He soon discovers that visiting once a year wasn t all that bad, given that he s now living this particular Groundhog Day again, and again, and again.
It all begins at 6:00 a.m., the same way each day. The clock radio clicks on with Sonny & Cher s I Got You Babe, followed by the declaration, Okay campers, rise and shine, and don t forget your booties cuz it s COLD out there today!
After the initial shock wears off, Phil (played by national treasure Bill Murray) realizes he s in a time loop. No matter what he does each day, there are no lingering consequences for his actions, because he wakes up and starts over again fresh the next morning.
This initially leads to hedonistic behavior, such as binge eating and drinking, manipulative one-night stands, and criminal acts. Eventually despair sets in, and Connors repeatedly attempts suicide.
No dice he still wakes up the same way the next morning. It s not until Phil commits to bettering himself and serving others that he achieves redemption and breaks out of the loop.
The film Groundhog Day is regarded as a contemporary classic. In 2006, it was added to the United States National Film Registry and deemed culturally, historically, or aesthetically significant.
Further, the movie has been described by some religious leaders as the most spiritual film of our time, in that it represents the concept of transcendence.
Buddhists and Hindus see the repeated day as a representation of reincarnation on the long path to enlightenment. In the Judeo-Christian tradition, the time loop can be thought of as purgatory.
Don t get me wrong. Groundhog Day is a hilarious film, and Bill Murray considers it his finest performance. But it s also seriously deep. Jonah Goldberg of the National Review said, we have what many believe is the best cinematic moral allegory popular culture has produced in decades.
Groundhog Day also contains an example of marketing gone terribly wrong. This travesty happens all too often in the real world, which means it s what you want to avoid at all costs.
A tale of a data-driven marketing fail
In between his hedonism and subsequent despair, Phil decides to achieve a different goal. He begins romantically pursuing his news producer, Rita Hanson (played by Andie MacDowell).
He starts by being uncharacteristically kind to her, and then asks her to describe her ideal man. Through day after day of similar encounters, he amasses an amazing amount of information about her.
Phil finds out her favorite drink, and her ideal toast to drink it to. He knows she hates white chocolate and loves Rocky Road ice cream. He even quotes from Baudelaire (Bodell-air) after finding out she majored in 19th-century French poetry.
Through his unique situation, Connors discovers all the right information in order to arrive at the perfect romantic evening with her ideal man. It takes weeks, but as far as Rita knows, Phil has simply transformed from the jerk she works with to an amazing person in a single day.
Talk about marketing research, huh? He s got his who down cold.
Except there s one problem Phil s only goal is to have sex with Rita. There s literally no tomorrow for him, so he has to close the deal on the first date, or not at all. Hence, he can t contain his insincerity despite all the valuable intelligence he has on her.
Phil even stoops so low as to tell her he loves her when she resists his advances. Each evening invariably ends with Rita slapping Phil s face, and what she says to him is especially telling:
I could never love you, because you ll never love anyone but yourself.
Content marketing as seduction
In marketing and sales circles, there s a running joke about losing a prospect thanks to the equivalent of trying to propose marriage on the first date. And yet, it doesn t stop it from happening, even with people who should know better.
Phil has a treasure-trove of data about Rita, just as modern marketers have big data about you. And yet Phil tries to fake authenticity, engagement, and connection, which Rita sees right through.
The same thing happens every day at all levels of the marketing spectrum.
Think of it this way Rita reveals her core values, and Phil tries to reflect them back to her. It works, up until the point that Phil s desire to close the deal on his terms, based on his own desires, tramples all over Rita s core values.
I ve described content marketing as a story you tell over time. If that story places the prospect at the center of the story and delivers the right information at the right time, you have a courtship.
If you take it a step further and deliver the information in a way that delights the prospect at each step, you have something even more powerful. You have a seduction.
The word seduction can certainly have a manipulative connotation. But when you truly know your prospect, and your core values truly do align with theirs, and you truly do communicate based on their needs first, well
They get what they want, and you get what you want. That s not manipulation; that s just good business.
Empower the journey
Before the internet, inadequacy marketing ruled. Without access to alternative perspectives, prospects were targeted by marketers with messages that positioned the brand as the hero, which promised to save the poor prospect from the anxiety manufactured by the message.
The imbalance in access to information favored the seller. Now, prospects are empowered to self-educate, which means the buyer s journey is well underway before any particular seller is even aware of it.
Today, prospects face a different form of anxiety. The abundant access to information from thousands of competing sources threatens to overwhelm the prospect. That s where you come in.
Your brand becomes heroic in the sense that you arrive to further empower the prospect to solve their problem. You help them make sense of the relevant information. And in the process, you demonstrate rather than claim that your product or service is the perfect solution for that particular person.
So yes, your brand can become a hero. As long as you never forget that the prospect is the main hero, or protagonist, of a journey that they are at the center of.
This is why Joseph Campbell s monomyth, or hero s journey, provides the perfect metaphor, and map, of a content marketing strategy that succeeds. It forces you to keep your focus on empowering them, with you and your content playing the role of the mentor, or guide.
The easiest way to understand this is to look at the character relationships in some of the best-known examples of Campbell s hero s journey in popular culture films such as Star Wars, The Matrix, and The Wizard of Oz.
- The prospect is Luke Skywalker; you re Obi-Wan Kenobi.
- The prospect is Neo; you re Morpheus.
- The prospect is Dorothy; you re Glinda the Good Witch.
Structuring your content marketing strategy in this way leads to success. By understanding your prospect as well as possible, you re now in a position to guide and empower her to solve the problem with you.
What you say matters most
What you say in advertising is more important than how you say it.
It might come as a surprise to hear that from Ogilvy, a famous Mad Man and copywriter who made millions by finding just the right way to say things. But he s right if what you re saying is wrong, it doesn t matter how well you say it.
And the when matters too.
The key point of this episode is for you to understand that because we re guiding the prospect on a journey, when is an inherent aspect of the what.
You can choose to rush things and lose, or travel alongside the prospect and eventually win.
Phil Connors does end up with Rita, but only when he actually becomes her ideal man instead of trying to fake it. The time loop ends thanks to an authentic seduction.
Here s to not making the same mistake over, and over, and over again at least with your content marketing.
Now stick around for this week s hyper-specific call to action.
Call to action
Here is my question for you, based on what we just learned about content marketing as seduction
How are you empowering your prospects to solve their problems?
If you don t know the answer to this right off the top of your head, if it isn t a guiding principle in what you re doing, then it now might be a good time to rethink how you view your relationship with your audience.
Remember: you are not the hero. THEY are the hero, and you are there to further empower them to solve their problems, to help them make sense of the relevant information they are bombarded with, and, in the process, you demonstrate rather than claim that your product or service is the perfect solution for that particular person.
So try to answer that question: How are you empowering your prospects to solve their problems?
And if you have trouble answering it, take this as an opportunity to rethink how you re approaching your content so you can be better at properly seducing your prospects.
Okay — coming next week, we re back to design. Once you ve properly seduced someone, you do eventually have to close the deal — and when we re talking about the closing the deal online that usually gets done with a button. We ll discuss how to create visually effective Calls-To-Action based on insight from Rafal Tomal. I hope you ll join me.
Finally, before I go, here are two more quick calls to action for you to consider:
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And with that, we come to the close of another episode. Thank you for listening to this episode of Sites. I appreciate you being here.
Join me next time, and let s keep building powerful, successful WordPress websites together.
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