#11 | Alexandre Desplat’s dream was to get to Hollywood

Score: The Podcast

Content provided by Epicleff Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Epicleff Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

3+ y ago 1:19:55

MP3•Episode home

Kenny and Robert begin the show discussing the 2020 Emmy nominations, the updated theatrical rollout plan for Christopher Nolan’s Tenet, composer Alan Menken achieving EGOT status with a Daytime Emmy win and checking Score: The Mailbox with a question about why all film scores aren’t released.

Then, Oscar and Golden Globe-winning composer Alexandre Desplat joins the show to discuss his new film with Wes Anderson, The French Dispatch, his transition from French cinema to Hollywood films and how the scoring process is different, writing songs for Guillermo Del Toro’s upcoming live-action Pinocchio, how he lost his favorite pair of glasses when first meeting John Williams and the advice Ennio Morricone gave him that he constantly thinks about.

This episode is presented by Spitfire Audio.

Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at ScoreTheMailbox@epicleff.com.

Hosts: Robert Kraft & Kenny Holmes
Executive Producer: Matt Schrader
Coordinator: Carol Kuswanto

121 episodes

#Cinema #Epicleff Media #Composers #Filmcomposers #Filmmusic #Moviescores #Filmscore