Manage episode 216861497 series 2301134
I’d keep this between me and my therapist, but I bet I’m not alone here. And yet—the literary-magazine-industrial-complex is where so many of our greatest writers first see print. The Paris Review, for example, which first appeared in spring 1953, has published Adrienne Rich, Ralph Ellison, Zadie Smith, Ali Smith, Vladimir Nabokov, Philip Roth, and the list goes on and on and on. And if you can get over yourself and actually read it, it’s pure pleasure. It’s an immersive, eclectic refuge from the business and the busy-ness of the world.
This summer, Emily Nemens was named the new editor of The Paris Review. She’s a poet, short story writer, essayist and illustrator who previously co-edited the Southern Review. At 34, she’s a fresh new steward for the this venerable old literary gatekeeper. And it’s an opportune moment to ask, or re-ask the questions: who is a literary magazine for, what is it supposed to do, and how can it do that better?
Surprise conversation-starter clips in this episode:
Miki Agrawal on pushback against marketing for women
Vicki Robin on how the economy grew beyond its natural bounds
Learn more about your ad choices. Visit megaphone.fm/adchoices
192 episodes available. A new episode about every 7 days averaging 54 mins duration .