In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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35 - Maya Newell on The Dreamlife of Georgie Stone
Manage episode 342354330 series 2509616
Content provided by Sound Perspective. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sound Perspective or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Maya Newell is a documentary filmmaker in Sydney whose body of work is a beautiful testament to the power of documentary to engender empathy. Her first feature documentary, Gayby Baby, followed the experiences of children of same-sex parents, and her second, In My Blood It Runs, is a cinematic portrait of a young Indigenous boy in central Australia - it was selected for the Sundance Music and Sound Design Lab.
Often working with her participants as credited collaborators, Maya's documentaries are emotionally stunning and politically vital. Her most recent film, The Dreamlife of Georgie Stone, is a half-hour Netflix Original following teenage trans activist Georgie Stone.
In this interview, we chatted about her beginnings in video art, the experience of recording an orchestral score for In My Blood It Runs at Skywalker Sound, and how she and Georgie Stone discovered a format and tone that would suit Georgie's story.
More about The Dreamlife of Georgie Stone here
Follow us on Facebook
Follow me on Instagram @alfiefaber
and on Letterboxd @alfiefaber
40 episodes
Share
Manage episode 342354330 series 2509616
Content provided by Sound Perspective. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sound Perspective or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Maya Newell is a documentary filmmaker in Sydney whose body of work is a beautiful testament to the power of documentary to engender empathy. Her first feature documentary, Gayby Baby, followed the experiences of children of same-sex parents, and her second, In My Blood It Runs, is a cinematic portrait of a young Indigenous boy in central Australia - it was selected for the Sundance Music and Sound Design Lab.
Often working with her participants as credited collaborators, Maya's documentaries are emotionally stunning and politically vital. Her most recent film, The Dreamlife of Georgie Stone, is a half-hour Netflix Original following teenage trans activist Georgie Stone.
In this interview, we chatted about her beginnings in video art, the experience of recording an orchestral score for In My Blood It Runs at Skywalker Sound, and how she and Georgie Stone discovered a format and tone that would suit Georgie's story.
More about The Dreamlife of Georgie Stone here
Follow us on Facebook
Follow me on Instagram @alfiefaber
and on Letterboxd @alfiefaber
40 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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