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Episode 10: The Woman in the Window
Manage episode 304943474 series 2971036
Content provided by Vanity Fair & Cadence 13, Vanity Fair, and Cadence 13. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vanity Fair & Cadence 13, Vanity Fair, and Cadence 13 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In one last noir twist, Joan marries for a fourth and final time to a man with a secret life. The last chapter of our story takes us from the Greenwich Village cross-dressing scene of the 1960s, to the set of Dario Argento’s giallo classic, Suspiria (Joan’s last film), to post-reunification Berlin, where Bennett’s legacy as a key face of film noir is solidified. What are the lasting reverberations of the violent act Walter Wanger committed in 1951 -- on Joan Bennett’s family, on film culture, politics and society? What, if anything, would be different today?
Listen and subscribe at http://listen.vanityfair.com/loveisacrime or wherever you get your podcasts: http://listen.vanityfair.com/liac
- Apple Podcasts: http://listen.vanityfair.com/loveisacrime
- Spotify: http://listen.vanityfair.com/liac-spotify
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For a transcript of this episode, please follow this link.
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14 episodes
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Manage episode 304943474 series 2971036
Content provided by Vanity Fair & Cadence 13, Vanity Fair, and Cadence 13. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Vanity Fair & Cadence 13, Vanity Fair, and Cadence 13 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In one last noir twist, Joan marries for a fourth and final time to a man with a secret life. The last chapter of our story takes us from the Greenwich Village cross-dressing scene of the 1960s, to the set of Dario Argento’s giallo classic, Suspiria (Joan’s last film), to post-reunification Berlin, where Bennett’s legacy as a key face of film noir is solidified. What are the lasting reverberations of the violent act Walter Wanger committed in 1951 -- on Joan Bennett’s family, on film culture, politics and society? What, if anything, would be different today?
Listen and subscribe at http://listen.vanityfair.com/loveisacrime or wherever you get your podcasts: http://listen.vanityfair.com/liac
- Apple Podcasts: http://listen.vanityfair.com/loveisacrime
- Spotify: http://listen.vanityfair.com/liac-spotify
- Stitcher: http://listen.vanityfair.com/liac-google
For a transcript of this episode, please follow this link.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
14 episodes
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Similar to Love is a Crime
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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