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Manage episode 353246415 series 3022931
Content provided by Ira Heinichen and Joshua McClenney. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ira Heinichen and Joshua McClenney or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Manage episode 353246415 series 3022931
Content provided by Ira Heinichen and Joshua McClenney. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ira Heinichen and Joshua McClenney or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In heaven everything is fine.
This week, we're watching David Lynch's first film. It took him the better part of a decade to make. It's surrealist and avante garde in the way only Lynch can pull off, and it's probably his most personal, most intimate film. He kinda lets his nightmares and fears literally play out for us to see, feverish and confusing. We try to untangle it all. What works? What doesn't? We discuss!
396 episodes
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Similar to Film School
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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