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#9 – To Kill A Mockingbird

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Content provided by Settling the Score. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Settling the Score or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Jon and Andy are excited to welcome a special guest onto the show! After their discussion of Elmer Bernstein’s score for 1962’s To Kill A Mockingbird, stick around to hear a chat with Emilie Bernstein – Elmer’s daughter and longtime orchestrator! How did Elmer focus in on the right perspective from which to tell the story? What distinctive scale makes the main theme sound wondrous? And, can Andy talk as low as Gregory Peck?

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66 episodes

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#9 – To Kill A Mockingbird

Settling the Score

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Manage episode 193336156 series 1750562
Content provided by Settling the Score. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Settling the Score or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Jon and Andy are excited to welcome a special guest onto the show! After their discussion of Elmer Bernstein’s score for 1962’s To Kill A Mockingbird, stick around to hear a chat with Emilie Bernstein – Elmer’s daughter and longtime orchestrator! How did Elmer focus in on the right perspective from which to tell the story? What distinctive scale makes the main theme sound wondrous? And, can Andy talk as low as Gregory Peck?

  continue reading

66 episodes

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