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4. Debra Granik: How to Skin a Squirrel

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When? This feed was archived on October 21, 2020 01:08 (3+ y ago). Last successful fetch was on March 21, 2017 05:55 (7y ago)

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Manage episode 66308584 series 66371
Content provided by Elaine Sheldon & Sarah Ginsburg, Elaine Sheldon, and Sarah Ginsburg. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Elaine Sheldon & Sarah Ginsburg, Elaine Sheldon, and Sarah Ginsburg or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Debra Granik is the Academy-award nominated director and writer of Winter’s Bone, which features a young Jennifer Lawrence in a gripping story set in the Ozarks. Winter's Bone won several awards including the Grand Jury Prize for Dramatic Film at the 2010 Sundance Film Festival. It also received four 2011 Academy Award nominations: Best Picture, Best Adapted Screenplay, Best Actress and Best Supporting Actor. Previously, she wrote and directed Down to the Bone, starring Vera Farmiga. Her narrative work is heavily influenced by real life and real people. So it makes sense that recently Debra has found herself exploring the non-fiction world. She recently released Stray Dog, a contemplative portrait of Ron 'Stray Dog' Hall: biker, Vietnam Vet, and lover of small dogs. It has screened over 60 times around the world and was nominated for a 2015 Film Independent Spirit Award for Best Documentary. In this episode, Debra talks about learning her craft from politically-active women in the 1970s, being inspired by real life, where ideas come from, how stories take seed, and the ins and outs of her many productions. Debra reflects on her past, present, and the future of the industry.


Name: Debra Granik

Current City: New York City

What are you listening to? I listen to a lot of soothing nature sounds. I take refuge in a track called 8 hours of rivers and streams. I am enjoying the music of Kelsey Morris and their band Layperson Music.

What piece of media changed you? There have been so many it's hard to pick one. Most recently, the narrative feature, Girlhood, directed by Céline Sciamma. Fergus Bordewich's book, Bound for Canaan: The Underground Railroad and the War for the Soul of America. And We Come as Friends by Hubert Super. Many recent documentaries, especially about the experiences of soldiers and the sprawling topic of mass incarceration and the US prison system.

Who is your career role model? I have a special affection and admiration for essay filmmakers and documentarians, film creators who follow their interests and inspirations, those who try not to define their self worth as artists only through external achievement, but also try to make the making be a worthwhile part of their life.

What is a tool you can't live without? Spongy flip flops, viscous hand cream, luscious 0.7 vicuna ballpoint pens, notebooks.

How do you drink/take your coffee/tea? XXX with a little soy. Branching into hemp.

What's your spirit animal? Tortoise. Slow and steady.

RELATED LINKS

Debra on Directing Jennifer Lawrence and Her New Documentary (VULTURE)

Debra Granik Archive (INDIE WIRE)

Debra’s Granik Featured In Opinion Sunday (NEW YORK TIMES)

Debra Granik on Finding J. Law and the Plight of the Female Director (DAILY BEAST)

There’s no space for that old style of the big barking orders coming from the big man. The big man who gets special treatment and has an entourage and special gear, special food, special limos, special chairs, special megaphones. I think we’re done with that paradigm. It’s okay to thank people. It’s good and right and just to acknowledge the work of others. I think women do a good job saying ‘I am not the king. I am a head coordinator and I’m working really hard with other people who all are contributing something to this effort.’
— Debra Granik

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

MUSIC FEATURED IN SHOW:

Peachpit and our featured MusicMaker, Hannah Waxman

Chris Zabriskie

Jahzzar

Gillicuddy

CLIPS FEATURED IN SHOW:

Women’s rights protests (1 & 2)

High school play (Phantom of the Opera)

Harlan County, USA (full film)

Winter’s Bone (Clips 1, 2, & 3)

Stray Dog (trailer)

  continue reading

45 episodes

Artwork

4. Debra Granik: How to Skin a Squirrel

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Archived series ("Inactive feed" status)

When? This feed was archived on October 21, 2020 01:08 (3+ y ago). Last successful fetch was on March 21, 2017 05:55 (7y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 66308584 series 66371
Content provided by Elaine Sheldon & Sarah Ginsburg, Elaine Sheldon, and Sarah Ginsburg. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Elaine Sheldon & Sarah Ginsburg, Elaine Sheldon, and Sarah Ginsburg or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Debra Granik is the Academy-award nominated director and writer of Winter’s Bone, which features a young Jennifer Lawrence in a gripping story set in the Ozarks. Winter's Bone won several awards including the Grand Jury Prize for Dramatic Film at the 2010 Sundance Film Festival. It also received four 2011 Academy Award nominations: Best Picture, Best Adapted Screenplay, Best Actress and Best Supporting Actor. Previously, she wrote and directed Down to the Bone, starring Vera Farmiga. Her narrative work is heavily influenced by real life and real people. So it makes sense that recently Debra has found herself exploring the non-fiction world. She recently released Stray Dog, a contemplative portrait of Ron 'Stray Dog' Hall: biker, Vietnam Vet, and lover of small dogs. It has screened over 60 times around the world and was nominated for a 2015 Film Independent Spirit Award for Best Documentary. In this episode, Debra talks about learning her craft from politically-active women in the 1970s, being inspired by real life, where ideas come from, how stories take seed, and the ins and outs of her many productions. Debra reflects on her past, present, and the future of the industry.


Name: Debra Granik

Current City: New York City

What are you listening to? I listen to a lot of soothing nature sounds. I take refuge in a track called 8 hours of rivers and streams. I am enjoying the music of Kelsey Morris and their band Layperson Music.

What piece of media changed you? There have been so many it's hard to pick one. Most recently, the narrative feature, Girlhood, directed by Céline Sciamma. Fergus Bordewich's book, Bound for Canaan: The Underground Railroad and the War for the Soul of America. And We Come as Friends by Hubert Super. Many recent documentaries, especially about the experiences of soldiers and the sprawling topic of mass incarceration and the US prison system.

Who is your career role model? I have a special affection and admiration for essay filmmakers and documentarians, film creators who follow their interests and inspirations, those who try not to define their self worth as artists only through external achievement, but also try to make the making be a worthwhile part of their life.

What is a tool you can't live without? Spongy flip flops, viscous hand cream, luscious 0.7 vicuna ballpoint pens, notebooks.

How do you drink/take your coffee/tea? XXX with a little soy. Branching into hemp.

What's your spirit animal? Tortoise. Slow and steady.

RELATED LINKS

Debra on Directing Jennifer Lawrence and Her New Documentary (VULTURE)

Debra Granik Archive (INDIE WIRE)

Debra’s Granik Featured In Opinion Sunday (NEW YORK TIMES)

Debra Granik on Finding J. Law and the Plight of the Female Director (DAILY BEAST)

There’s no space for that old style of the big barking orders coming from the big man. The big man who gets special treatment and has an entourage and special gear, special food, special limos, special chairs, special megaphones. I think we’re done with that paradigm. It’s okay to thank people. It’s good and right and just to acknowledge the work of others. I think women do a good job saying ‘I am not the king. I am a head coordinator and I’m working really hard with other people who all are contributing something to this effort.’
— Debra Granik

CREDITS

PRODUCED by Elaine Sheldon and Sarah Ginsburg

SOUND DESIGN by Billy Wirasnik

MUSIC FEATURED IN SHOW:

Peachpit and our featured MusicMaker, Hannah Waxman

Chris Zabriskie

Jahzzar

Gillicuddy

CLIPS FEATURED IN SHOW:

Women’s rights protests (1 & 2)

High school play (Phantom of the Opera)

Harlan County, USA (full film)

Winter’s Bone (Clips 1, 2, & 3)

Stray Dog (trailer)

  continue reading

45 episodes

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