Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
Manage episode 262117112 series 1053290
By Mr. Turner and Basspatrol Records From Discopunk To Electrofunk. Discovered by Player FM and our community — copyright is owned by the publisher, not Player FM, and audio is streamed directly from their servers. Hit the Subscribe button to track updates in Player FM, or paste the feed URL into other podcast apps.
Evelyn Champagne King - Shame Disco Mix Edited Back In 2007 By Mr. Turner https://hypeddit.com/track/9jarfc Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States’ urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, horns, electric piano, synthesizers, and electric rhythm guitars. Well-known disco artists include Donna Summer, Gloria Gaynor, the Bee Gees, Chic, KC and the Sunshine Band, Thelma Houston, Sister Sledge, The Trammps, the Village People and Michael Jackson. While performers and singers garnered public attention, record producers working behind the scenes played an important role in developing the genre. Films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's mainstream popularity. Disco started as a mixture of music from venues popular with African Americans, Hispanic and Latino Americans, Italian Americans, and LGBT people in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960's counterculture to both the dominance of rock music and the stigmatization of dance music at the time. Several dance styles were developed during the period of disco's popularity in the United States, including “the Bump” and “the Hustle”. By the late 1970s, most major U.S. cities had thriving disco club scenes, and DJs would mix dance records at clubs such as Studio 54 in New York City, a venue popular among celebrities. Discothèque-goers often wore expensive, extravagant and sexy fashions. There was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine and Quaaludes, the latter being so common in disco subculture that they were nicknamed "disco biscuits". Disco clubs were also associated with promiscuity as a reflection of the sexual revolution of this era in popular history. Disco was the last popular music movement driven by the baby boom generation. It declined as a major trend in popular music during the late 1970s. However, it was a key influence in the development of electronic dance music, house music, hip-hop, new wave and post-disco. While no new disco movement has dominated popular music since its decline, the style has had several revivals and the influence of disco remains strong across American and European pop music.