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SPS018: Colorist Tom Overton

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Archived series ("Inactive feed" status)

When? This feed was archived on December 24, 2017 16:14 (6+ y ago). Last successful fetch was on November 01, 2017 21:56 (6+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 158899715 series 1029794
Content provided by Smart Post Sound. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Smart Post Sound or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Tom started working in telecine at Compact Video in 1980. In 1985 he became Pacific Video’s first Colorist where he was privileged to test-pilot their Emmy award winning “Electronic Lab” which served as the prototype for all electronic post to this day. In 2007, he was Keep Me Posted’s first Colorist and worked there till 2013 when he joined the Modern VideoFilm team.

A veteran of over 20 years as a colorist in major facilities, Overton’s credits cover a broad range of television and feature work. He is known for his versatility in creating the look of shows as divergent as “Judging Amy” and “The Shield.” “Matlock”, “Beverly Hills, 90210” and “Melrose Place”. He's timed “Northern Exposure”, “Beauty and the Beast”, “The Shield”, and more recently, “Gossip Girl”, “Californication”, “Witches of East End” and “Scorpion.” He has also color timed many TV Movies and mini-series including “Mama Flora’s Family”, “Doing Time on Maple Drive”, and “What Girls Learn” as well as KCET’s award winning mini-series “The Astronomers”. He has also worked on a long list of Disney Channel movies including “High School Musical 1 & 2” This week we explore the position and art behind being a colorist and discuss Tom's newest addition to his illustrious resume - Smart Post Video.

  continue reading

33 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on December 24, 2017 16:14 (6+ y ago). Last successful fetch was on November 01, 2017 21:56 (6+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 158899715 series 1029794
Content provided by Smart Post Sound. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Smart Post Sound or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Tom started working in telecine at Compact Video in 1980. In 1985 he became Pacific Video’s first Colorist where he was privileged to test-pilot their Emmy award winning “Electronic Lab” which served as the prototype for all electronic post to this day. In 2007, he was Keep Me Posted’s first Colorist and worked there till 2013 when he joined the Modern VideoFilm team.

A veteran of over 20 years as a colorist in major facilities, Overton’s credits cover a broad range of television and feature work. He is known for his versatility in creating the look of shows as divergent as “Judging Amy” and “The Shield.” “Matlock”, “Beverly Hills, 90210” and “Melrose Place”. He's timed “Northern Exposure”, “Beauty and the Beast”, “The Shield”, and more recently, “Gossip Girl”, “Californication”, “Witches of East End” and “Scorpion.” He has also color timed many TV Movies and mini-series including “Mama Flora’s Family”, “Doing Time on Maple Drive”, and “What Girls Learn” as well as KCET’s award winning mini-series “The Astronomers”. He has also worked on a long list of Disney Channel movies including “High School Musical 1 & 2” This week we explore the position and art behind being a colorist and discuss Tom's newest addition to his illustrious resume - Smart Post Video.

  continue reading

33 episodes

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