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EP 034 Jon Taplin on Tech Monopolies and the Creative Economy

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Manage episode 182581896 series 1233637
Content provided by Scott Gosnell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scott Gosnell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Jonathan Taplin is Director Emeritus of the Annenberg Innovation Lab at the University of Southern California. he was a Professor at the USC Annenberg School from 2003-2016. Taplin’s areas of specialization are in international communication management and the field of digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese’s first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. (via jontaplin.com)

Today, Jon talks about his new book, Move Fast and Break Things: How Google, Facebook and Amazon Cornered Culture and Undermined Democracy. It tells the story of how the Internet took a wrong turn from its early days as a source for innovation and wealth for individual creators and entrepreneurs, becoming a highly centralized set of monopolies and oligopolies that suck $50 billion a year in income away from content creators. This has hollowed out whole industries, leaving both producers and consumers less well off both economically and artistically. We discuss some of the history of the Net that led to this point, and some of the possible remedies for the problems we face.

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45 episodes

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Archived series ("Inactive feed" status)

When? This feed was archived on July 07, 2021 06:09 (3y ago). Last successful fetch was on April 26, 2019 12:25 (5y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 182581896 series 1233637
Content provided by Scott Gosnell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scott Gosnell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Jonathan Taplin is Director Emeritus of the Annenberg Innovation Lab at the University of Southern California. he was a Professor at the USC Annenberg School from 2003-2016. Taplin’s areas of specialization are in international communication management and the field of digital media entertainment. Taplin began his entertainment career in 1969 as Tour Manager for Bob Dylan and The Band. In 1973 he produced Martin Scorsese’s first feature film, Mean Streets, which was selected for the Cannes Film Festival. Between 1974 and 1996, Taplin produced 26 hours of television documentaries (including The Prize and Cadillac Desert for PBS) and 12 feature films including The Last Waltz, Until The End of the World, Under Fire and To Die For. His films were nominated for Oscar and Golden Globe awards and chosen for The Cannes Film Festival five times. (via jontaplin.com)

Today, Jon talks about his new book, Move Fast and Break Things: How Google, Facebook and Amazon Cornered Culture and Undermined Democracy. It tells the story of how the Internet took a wrong turn from its early days as a source for innovation and wealth for individual creators and entrepreneurs, becoming a highly centralized set of monopolies and oligopolies that suck $50 billion a year in income away from content creators. This has hollowed out whole industries, leaving both producers and consumers less well off both economically and artistically. We discuss some of the history of the Net that led to this point, and some of the possible remedies for the problems we face.

  continue reading

45 episodes

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