Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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S2E1, Part 1: Melinda Uno and the Tenderloin Museum
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Manage episode 221598357 series 1757380
Content provided by StoriedSF and Storied: San Francisco. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by StoriedSF and Storied: San Francisco or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to Season 2 of Storied: San Francisco podcast. This season won't be too different from what you heard in Season 1. The changes are mostly cosmetic—new theme music, a new look for the website, that sort of thing. Michelle and I learned a lot the first year, and we hope to bring some fresh perspectives to this project.
Our theme this season is: What is it about this place? What draws people here, whether they visit, settle here, stay in the city for a time then pick up and move on, or are born and raised and stay ... there's something about this place, and through posing that question to another 49 storytellers, we hope to get to the heart of why we're all drawn to San Francisco.
Like many of us, Melinda Uno moved to San Francisco. She moved to the Tenderloin. And she loves it.
For Melinda, a big part of it is the idea that you can be your true self here. In this episode, she talks about moving to San Francisco and eventually being part of the effort behind opening the Tenderloin Museum and the ways in which they help educate the public and celebrate the neighborhood, especially its part in women's history.
Check back tomorrow for Part 2, when Melinda will talk about meeting a group of bad-ass women motorcyclists and setting out on a ride across Mexico.
Film photography by Michelle Kilfeather
440 episodes
Share
Archived series ("Inactive feed" status)
When?
This feed was archived on October 10, 2023 08:14 (
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 221598357 series 1757380
Content provided by StoriedSF and Storied: San Francisco. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by StoriedSF and Storied: San Francisco or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to Season 2 of Storied: San Francisco podcast. This season won't be too different from what you heard in Season 1. The changes are mostly cosmetic—new theme music, a new look for the website, that sort of thing. Michelle and I learned a lot the first year, and we hope to bring some fresh perspectives to this project.
Our theme this season is: What is it about this place? What draws people here, whether they visit, settle here, stay in the city for a time then pick up and move on, or are born and raised and stay ... there's something about this place, and through posing that question to another 49 storytellers, we hope to get to the heart of why we're all drawn to San Francisco.
Like many of us, Melinda Uno moved to San Francisco. She moved to the Tenderloin. And she loves it.
For Melinda, a big part of it is the idea that you can be your true self here. In this episode, she talks about moving to San Francisco and eventually being part of the effort behind opening the Tenderloin Museum and the ways in which they help educate the public and celebrate the neighborhood, especially its part in women's history.
Check back tomorrow for Part 2, when Melinda will talk about meeting a group of bad-ass women motorcyclists and setting out on a ride across Mexico.
Film photography by Michelle Kilfeather
440 episodes
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Similar to Storied: San Francisco
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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continue reading
First-person diaries, sound portraits, and hidden chapters of history from Peabody Award-winning producer Joe Richman and the Radio Diaries team. From teenagers to octogenarians, prisoners to prison guards, bra saleswomen to lighthouse keepers. The extraordinary stories of ordinary life. Radio Diaries is a proud member of Radiotopia, from PRX. Learn more at radiotopia.fm
…
continue reading
Short documentaries and adventures in sound presented by Josie Long.
…
continue reading
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continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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…
continue reading
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…
continue reading
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…
continue reading
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