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Bedevil in the Details: Australian Experimental Film in the Era of New Media

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When? This feed was archived on March 17, 2022 08:01 (2y ago). Last successful fetch was on May 19, 2021 09:11 (3y ago)

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Manage episode 218468427 series 2450182
Content provided by Sydney Screen Studies Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sydney Screen Studies Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In the 1990s, Australian experimental and avant-garde film traditions were displaced – at the level of theory, policy and practice. The 1994 ‘Creative Nation’ policy announced the Keating Government’s enthusiasm for innovation and digital media. Australian artists and organisations scrambled to claim ground, funds and relevance in an era marked by insistent declarations of the end of the avant-garde, the end of cinema and the inevitability of a digital future. Two decades on the innovation rhetoric is louder than ever, but there is a near vacuum of funding for experimental film practice through film funding agencies. Dr Maura Edmond presents a historical take on the question of where-to-now for film (and film studies) in an era of convergent screen media, by looking at a period in which those questions were considered at length by filmmakers, institutions, critics and policymakers. Maura is joined by Phoebe Macrossan for a Q&A where they discuss some of these issues with the audience. Seminar: 0.00 - 46min Q & A: 46min - 1hr 20min Produced by the Sydney Screen Studies Network Visit our website: sydneyscreenstudies.wordpress.com Email us: sydneyscreenstudies@gmail.com
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20 episodes

Artwork
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Archived series ("Inactive feed" status)

When? This feed was archived on March 17, 2022 08:01 (2y ago). Last successful fetch was on May 19, 2021 09:11 (3y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 218468427 series 2450182
Content provided by Sydney Screen Studies Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sydney Screen Studies Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In the 1990s, Australian experimental and avant-garde film traditions were displaced – at the level of theory, policy and practice. The 1994 ‘Creative Nation’ policy announced the Keating Government’s enthusiasm for innovation and digital media. Australian artists and organisations scrambled to claim ground, funds and relevance in an era marked by insistent declarations of the end of the avant-garde, the end of cinema and the inevitability of a digital future. Two decades on the innovation rhetoric is louder than ever, but there is a near vacuum of funding for experimental film practice through film funding agencies. Dr Maura Edmond presents a historical take on the question of where-to-now for film (and film studies) in an era of convergent screen media, by looking at a period in which those questions were considered at length by filmmakers, institutions, critics and policymakers. Maura is joined by Phoebe Macrossan for a Q&A where they discuss some of these issues with the audience. Seminar: 0.00 - 46min Q & A: 46min - 1hr 20min Produced by the Sydney Screen Studies Network Visit our website: sydneyscreenstudies.wordpress.com Email us: sydneyscreenstudies@gmail.com
  continue reading

20 episodes

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