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CG Chatter 029: Illustrator & Designer Sean Dove

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Archived series ("Inactive feed" status)

When? This feed was archived on July 31, 2018 01:53 (5+ y ago). Last successful fetch was on April 04, 2018 01:42 (6y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 171420189 series 1282976
Content provided by Eric Carlsen and CG Artist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eric Carlsen and CG Artist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Welcome to the CG Chatter Podcast episode #29! In this episode I chat with Sean Dove, who is an Illustrator & Designer and runs his own one-man design studio, And Thank You For Flying.

Sean creates illustrations and design in a wide range of styles, and in addition to working with well-known clients like Hasbro, Wizards of the Coast, and McDonalds, he’s illustrated a 40-page comic and published his own book of illustrations inspired by James Bond films. I particularly liked his behind-the-scenes insight into making comics, his approach to keeping his portfolio up-to-date, and lessons learned from running a successful Kickstarter campaign.

Episode Guide:

  • 2:36 – Sean describes the diverse work he does as an illustrator and designer
  • 3:17 – Growing up in Ann Arbor, Michigan, with parents who were interested in and supportive of artwork
  • 3:47 – Comic books and cartoons were his main entry point into wanting to create artwork
  • 4:26 – Sean went to art school and was exposed to many different forms of art, most of which he has used since then
  • 5:17 – He got to make short films in his high school film class
  • 6:06 – What Sean doesn’t like about doing hand-drawn animation
  • 7:39 – It’s possible to create animations entirely within Adobe Photoshop
  • 8:38 – Sean walks through his technical approach to illustration, and how these days he’ll sometimes go between using his Cintiq and hand-inking
  • 10:54 – Because my wife and I are currently planning a Hawaii honeymoon, I have to ask about Sean’s Hawaiian origins
  • 12:30 – Sean had a great experience with illustration and art in the public school system of Ann Arbor, Michigan
  • 13:50 – He recalls some of the films he made in high school
  • 15:40 – Sean worked at the Art Institute of Chicago’s media center while enrolled
  • 15:49 – He was uncertain about what he would do after school or how he could start a successful career in art
  • 16:44 – Sean landed an internship with Devil’s Due Publishing, a comic book company in Chicago
  • 17:26 – He ended up interning for a long time while living off of a large student loan
  • 17:50 – His transition from interning to being brought onto the staff as a graphic designer
  • 19:08 – Devil’s Due mostly went out of business but Sean was able to continue working with them on a freelance basis
  • 19:59 – Why Sean didn’t like working from home
  • 20:38 He got together with other former Devil’s Due guys to start Four Star Studios
  • 21:06 – He would end up working way more hours when working from home, and really appreciates getting to go somewhere else to work
  • 22:02 – What’s a typical day like for Sean at his shop?
  • 23:33 – For the most part, everyone at Four Star Studios works is an independent freelancer
  • 24:39 – Four Star Studios made a comics app called “Double Feature”, which let users see the comic-making process
  • 26:56 – Sean’s work on “Brobots and the Kaiju Kerfuffle” (see images below)
  • 32:44 – Sean’s work on “The Last Days of Danger” (see images below)
  • 34:38 – He talks about his experience doing a successful Kickstarter, and lessons learned
  • 37:18 – Sean’s work for NFPA Kids (see images below)
  • 44:25 – Once you build a good enough reputation, you may find clients seeking you out instead of the other way around
  • 45:33 – Sean’s work on the cover of “TimeOut Chicago” (see images below)
  • 47:13 – Screen printing has had a big influence on Sean’s art style
  • 49:00 – His experience creating art prints for Gallery 1988 for their pop culture shows
  • 50:56 – Freelance affords Sean opportunities to try lots of different things
  • 52:02 – It’s important to keep your portfolio up-to-date so it reflects your current abilities and proficiencies
  • 53:25 – Unfortunately you won’t always be able to put projects in your portfolio, depending on the preferences of different clients
  • 54:19 – Sean’s had a Squarespace website for many years and finds it very easy to use and keep up-to-date
  • 56:39 – Sean doesn’t bring his phone with him to bed, and makes it hard to check email on his iPad, so that he’s not checking it at night
  • 57:33 – Doing the creative work is only part of the job as a freelancer – you have to also make time for invoicing and other paperwork
  • 58:01 – Sean tries to stick consistency to normal Monday-Friday business hours, and makes sure clients know this
  • 1:00:07 – Doing things you enjoy (like reading) helps you come up with creative ideas later
  • 1:00:51 – If you’re interested in pursuing freelance, consider taking some business courses to prepare yourself for that aspect of it
  • 1:01:53 – Always practice and make time to experiment
  • 1:02:32 – I recall when I was doing contract work and neglected to put aside money for taxes, then suddenly owed about 25% of what I’d made
  • 1:04:03 – Sean is a frequenter of movie blogs and toy sites, as well as Tumblr
  • 1:04:28 – Omgposters.com is a cool place to check out with sort of Mondo-inspired pieces
  • 1:04:59 – Sean’s worked on several toy projects with Hasbro, including design & art direction for a Stan Lee toy package
  • 1:06:29 – He’s also done some toy design and has come close to shipping them
  • 1:07:46 – At some point he’d love to do toys for the Brobot characters
  • 1:08:36 – Sean shares what he’s up to currently, including working on pitches for another comic series
  • 1:09:59 – He tells the origin story of the name of his one-man design studio, “And Thank You For Flying”
  • 1:13:14 – He’s a big fan of Kyle Webster’s brush sets for Photoshop
  • 1:14:13 – “Work in a million different ways and combine them all”

Episode links:

Featured Work from the Episode:

“Brobots and the Kaiju Kerfuffle”, Published by Oni Press (Image 1/2)
Sean’s Role: Illustrator & Designer

“Brobots and the Kaiju Kerfuffle”, Published by Oni Press (Image 2/2)
Sean’s Role: Illustrator & Designer

“The Last Days of Danger” (Image 1/2)
Sean’s Role: Illustrator, Designer & Writer.
Self-Published Book via Kickstarter

“The Last Days of Danger” (Image 2/2)
Sean’s Role: Illustrator, Designer & Writer.
Self-Published Book via Kickstarter

NFPA Kids Animation (Image 1/3)
Sean’s Role: Storyboards, illustrations and rigging for animation

NFPA Kids Animation (Image 2/3)
Sean’s Role: Storyboards, illustrations and rigging for animation

NFPA Kids Animation (Image 3/3)
Sean’s Role: Storyboards, illustrations and rigging for animation

TimeOut Chicago Cover (Image 1/2)
Sean’s Role: Illustrator

TimeOut Chicago Cover (Image 2/2)
Sean’s Role: Illustrator

Join the CG Chatter email list to receive the latest updates!

The post CG Chatter 029: Illustrator & Designer Sean Dove appeared first on CG Chatter : The Art, Business, and Lifestyle of Creating Computer Graphics.

  continue reading

33 episodes

Artwork
iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on July 31, 2018 01:53 (5+ y ago). Last successful fetch was on April 04, 2018 01:42 (6y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 171420189 series 1282976
Content provided by Eric Carlsen and CG Artist. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Eric Carlsen and CG Artist or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Welcome to the CG Chatter Podcast episode #29! In this episode I chat with Sean Dove, who is an Illustrator & Designer and runs his own one-man design studio, And Thank You For Flying.

Sean creates illustrations and design in a wide range of styles, and in addition to working with well-known clients like Hasbro, Wizards of the Coast, and McDonalds, he’s illustrated a 40-page comic and published his own book of illustrations inspired by James Bond films. I particularly liked his behind-the-scenes insight into making comics, his approach to keeping his portfolio up-to-date, and lessons learned from running a successful Kickstarter campaign.

Episode Guide:

  • 2:36 – Sean describes the diverse work he does as an illustrator and designer
  • 3:17 – Growing up in Ann Arbor, Michigan, with parents who were interested in and supportive of artwork
  • 3:47 – Comic books and cartoons were his main entry point into wanting to create artwork
  • 4:26 – Sean went to art school and was exposed to many different forms of art, most of which he has used since then
  • 5:17 – He got to make short films in his high school film class
  • 6:06 – What Sean doesn’t like about doing hand-drawn animation
  • 7:39 – It’s possible to create animations entirely within Adobe Photoshop
  • 8:38 – Sean walks through his technical approach to illustration, and how these days he’ll sometimes go between using his Cintiq and hand-inking
  • 10:54 – Because my wife and I are currently planning a Hawaii honeymoon, I have to ask about Sean’s Hawaiian origins
  • 12:30 – Sean had a great experience with illustration and art in the public school system of Ann Arbor, Michigan
  • 13:50 – He recalls some of the films he made in high school
  • 15:40 – Sean worked at the Art Institute of Chicago’s media center while enrolled
  • 15:49 – He was uncertain about what he would do after school or how he could start a successful career in art
  • 16:44 – Sean landed an internship with Devil’s Due Publishing, a comic book company in Chicago
  • 17:26 – He ended up interning for a long time while living off of a large student loan
  • 17:50 – His transition from interning to being brought onto the staff as a graphic designer
  • 19:08 – Devil’s Due mostly went out of business but Sean was able to continue working with them on a freelance basis
  • 19:59 – Why Sean didn’t like working from home
  • 20:38 He got together with other former Devil’s Due guys to start Four Star Studios
  • 21:06 – He would end up working way more hours when working from home, and really appreciates getting to go somewhere else to work
  • 22:02 – What’s a typical day like for Sean at his shop?
  • 23:33 – For the most part, everyone at Four Star Studios works is an independent freelancer
  • 24:39 – Four Star Studios made a comics app called “Double Feature”, which let users see the comic-making process
  • 26:56 – Sean’s work on “Brobots and the Kaiju Kerfuffle” (see images below)
  • 32:44 – Sean’s work on “The Last Days of Danger” (see images below)
  • 34:38 – He talks about his experience doing a successful Kickstarter, and lessons learned
  • 37:18 – Sean’s work for NFPA Kids (see images below)
  • 44:25 – Once you build a good enough reputation, you may find clients seeking you out instead of the other way around
  • 45:33 – Sean’s work on the cover of “TimeOut Chicago” (see images below)
  • 47:13 – Screen printing has had a big influence on Sean’s art style
  • 49:00 – His experience creating art prints for Gallery 1988 for their pop culture shows
  • 50:56 – Freelance affords Sean opportunities to try lots of different things
  • 52:02 – It’s important to keep your portfolio up-to-date so it reflects your current abilities and proficiencies
  • 53:25 – Unfortunately you won’t always be able to put projects in your portfolio, depending on the preferences of different clients
  • 54:19 – Sean’s had a Squarespace website for many years and finds it very easy to use and keep up-to-date
  • 56:39 – Sean doesn’t bring his phone with him to bed, and makes it hard to check email on his iPad, so that he’s not checking it at night
  • 57:33 – Doing the creative work is only part of the job as a freelancer – you have to also make time for invoicing and other paperwork
  • 58:01 – Sean tries to stick consistency to normal Monday-Friday business hours, and makes sure clients know this
  • 1:00:07 – Doing things you enjoy (like reading) helps you come up with creative ideas later
  • 1:00:51 – If you’re interested in pursuing freelance, consider taking some business courses to prepare yourself for that aspect of it
  • 1:01:53 – Always practice and make time to experiment
  • 1:02:32 – I recall when I was doing contract work and neglected to put aside money for taxes, then suddenly owed about 25% of what I’d made
  • 1:04:03 – Sean is a frequenter of movie blogs and toy sites, as well as Tumblr
  • 1:04:28 – Omgposters.com is a cool place to check out with sort of Mondo-inspired pieces
  • 1:04:59 – Sean’s worked on several toy projects with Hasbro, including design & art direction for a Stan Lee toy package
  • 1:06:29 – He’s also done some toy design and has come close to shipping them
  • 1:07:46 – At some point he’d love to do toys for the Brobot characters
  • 1:08:36 – Sean shares what he’s up to currently, including working on pitches for another comic series
  • 1:09:59 – He tells the origin story of the name of his one-man design studio, “And Thank You For Flying”
  • 1:13:14 – He’s a big fan of Kyle Webster’s brush sets for Photoshop
  • 1:14:13 – “Work in a million different ways and combine them all”

Episode links:

Featured Work from the Episode:

“Brobots and the Kaiju Kerfuffle”, Published by Oni Press (Image 1/2)
Sean’s Role: Illustrator & Designer

“Brobots and the Kaiju Kerfuffle”, Published by Oni Press (Image 2/2)
Sean’s Role: Illustrator & Designer

“The Last Days of Danger” (Image 1/2)
Sean’s Role: Illustrator, Designer & Writer.
Self-Published Book via Kickstarter

“The Last Days of Danger” (Image 2/2)
Sean’s Role: Illustrator, Designer & Writer.
Self-Published Book via Kickstarter

NFPA Kids Animation (Image 1/3)
Sean’s Role: Storyboards, illustrations and rigging for animation

NFPA Kids Animation (Image 2/3)
Sean’s Role: Storyboards, illustrations and rigging for animation

NFPA Kids Animation (Image 3/3)
Sean’s Role: Storyboards, illustrations and rigging for animation

TimeOut Chicago Cover (Image 1/2)
Sean’s Role: Illustrator

TimeOut Chicago Cover (Image 2/2)
Sean’s Role: Illustrator

Join the CG Chatter email list to receive the latest updates!

The post CG Chatter 029: Illustrator & Designer Sean Dove appeared first on CG Chatter : The Art, Business, and Lifestyle of Creating Computer Graphics.

  continue reading

33 episodes

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