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Tommy Maddox-Upshaw, ASC on Snowfall, working with the late John Singleton, Spike Lee, Straight Outta Compton, Tales, Kalushi and more

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Manage episode 287658300 series 2808889
Content provided by The Cinematography Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Cinematography Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Tommy Maddox-Upshaw, ASC uses light and color to help emphasize the drama and power of each scene on the FX series Snowfall. He enjoys putting opposing colors in the scenes to subtly suggest any underlying subtext and shifts in power between the characters. Tommy knows that understanding light and knowing how to photograph dark skin is important in a series revolving around primarily African American and Latino characters. Snowfall, created by the late John Singleton, is a period drama that takes place in 1980's Los Angeles during the height of the crack cocaine epidemic. For Tommy, Snowfall feels personal after growing up in the 1980's and 90's in the inner city neighborhood of Mattapan in Boston. Mattapan got the nickname of “Murderpan,” and crack addiction personally affected his own family. As the lead cinematographer on season four of Snowfall, Tommy reads each script, meets with the showrunners, and even goes into the writer's room to talk to them about the subtext in certain scenes to devise a color schematic for each storyline. He develops an idea of his approach and watching the blocking on set allows him to try different things. Snowfall is pretty collaborative- John Singleton helped develop an African American cultural understanding on set, often taking suggestions from people's lived experiences. Tommy says many cultural nuances come from behind the lens, and Black actors, crew members, and people from the neighborhood make the show. Tommy first got into the business as a production assistant in New York, moving up to grip/electric while going to college in Massachusetts. He started working with Spike Lee on commercials as a gaffer and as an operator on Lee's miniseries, When the Levees Broke. After attending AFI (American Film Institute), Tommy met fellow cinematographer and mentor Matty Libatique, who brought him on to Iron Man 2 and Straight Outta Compton. Tommy went on to shoot Kalushi: The Story of Solomon Mahlangu in South Africa, and television series such as Tales, On My Block and Empire. Several years ago, Spike Lee had introduced Tommy to John Singleton at Singleton's birthday party. Singleton stayed in touch and later saw Tommy's work on the BET anthology series Tales, and approached him to shoot Snowfall. You can see Snowfall on FX on Hulu. https://www.fxnetworks.com/shows/snowfall Find Tommy Maddox-Upshaw: http://www.maddoxdp.com/ Instagram: @themaddoxdp Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep117/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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300 episodes

Artwork
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Manage episode 287658300 series 2808889
Content provided by The Cinematography Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Cinematography Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Tommy Maddox-Upshaw, ASC uses light and color to help emphasize the drama and power of each scene on the FX series Snowfall. He enjoys putting opposing colors in the scenes to subtly suggest any underlying subtext and shifts in power between the characters. Tommy knows that understanding light and knowing how to photograph dark skin is important in a series revolving around primarily African American and Latino characters. Snowfall, created by the late John Singleton, is a period drama that takes place in 1980's Los Angeles during the height of the crack cocaine epidemic. For Tommy, Snowfall feels personal after growing up in the 1980's and 90's in the inner city neighborhood of Mattapan in Boston. Mattapan got the nickname of “Murderpan,” and crack addiction personally affected his own family. As the lead cinematographer on season four of Snowfall, Tommy reads each script, meets with the showrunners, and even goes into the writer's room to talk to them about the subtext in certain scenes to devise a color schematic for each storyline. He develops an idea of his approach and watching the blocking on set allows him to try different things. Snowfall is pretty collaborative- John Singleton helped develop an African American cultural understanding on set, often taking suggestions from people's lived experiences. Tommy says many cultural nuances come from behind the lens, and Black actors, crew members, and people from the neighborhood make the show. Tommy first got into the business as a production assistant in New York, moving up to grip/electric while going to college in Massachusetts. He started working with Spike Lee on commercials as a gaffer and as an operator on Lee's miniseries, When the Levees Broke. After attending AFI (American Film Institute), Tommy met fellow cinematographer and mentor Matty Libatique, who brought him on to Iron Man 2 and Straight Outta Compton. Tommy went on to shoot Kalushi: The Story of Solomon Mahlangu in South Africa, and television series such as Tales, On My Block and Empire. Several years ago, Spike Lee had introduced Tommy to John Singleton at Singleton's birthday party. Singleton stayed in touch and later saw Tommy's work on the BET anthology series Tales, and approached him to shoot Snowfall. You can see Snowfall on FX on Hulu. https://www.fxnetworks.com/shows/snowfall Find Tommy Maddox-Upshaw: http://www.maddoxdp.com/ Instagram: @themaddoxdp Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep117/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
  continue reading

300 episodes

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