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Igor Stravinsky: Understood Best by Children and Animals

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Manage episode 209251701 series 1301175
Content provided by BBC and BBC Radio 3. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC Radio 3 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

"My music is best understood by children and animals," pronounced Igor Stravinsky, no doubt with a twinkle in his eye. According to his critics (and jealous colleagues), Stravinsky's composing consisted of picking up any old second-hand musical baubles he fancied, like a restless musical magpie - sometimes he even had the effrontery to leave them virtually unchanged. Frustratingly, audiences seemed to lap it up. To make matters worse, when it came to explaining his music, Igor liked nothing better than to hide behind contradictory and gnomic statements, as bewildering and frequent as his changes of musical style.

Tom Service goes in search of the essence of Stravinsky, at once one of the greatest yet most elusive 20th Century composers. Including contributions from playwright Meredith Oakes and Stravinsky biographer Jonathan Cross.

David Papp (producer).

  continue reading

258 episodes

Artwork
iconShare
 
Manage episode 209251701 series 1301175
Content provided by BBC and BBC Radio 3. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC Radio 3 or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

"My music is best understood by children and animals," pronounced Igor Stravinsky, no doubt with a twinkle in his eye. According to his critics (and jealous colleagues), Stravinsky's composing consisted of picking up any old second-hand musical baubles he fancied, like a restless musical magpie - sometimes he even had the effrontery to leave them virtually unchanged. Frustratingly, audiences seemed to lap it up. To make matters worse, when it came to explaining his music, Igor liked nothing better than to hide behind contradictory and gnomic statements, as bewildering and frequent as his changes of musical style.

Tom Service goes in search of the essence of Stravinsky, at once one of the greatest yet most elusive 20th Century composers. Including contributions from playwright Meredith Oakes and Stravinsky biographer Jonathan Cross.

David Papp (producer).

  continue reading

258 episodes

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