In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#74 - The Fear of Not Actually Being Real
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Manage episode 203334608 series 1469356
Content provided by Metebelis Two and Ben and David. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Metebelis Two and Ben and David or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ben and David return to look at Tom Baker cliffhangers during the time of producers Hinchcilffe and Williams. What makes a stonkin' good cliffhanger of this era and do Ben and David's picks tell us more about them than the show itself? The lads also touch upon the idea of the Doctor Who multiverse, the purpose and difference between cliffhangers and wrapping up a story, and what would Moffat do differently. Opening music is an excerpt from "Escape and Recapture" by Geoffrey Burgon from "The Seeds of Doom" score and closing music is the 1970s Doctor Who theme realized by Delia Derbyshire and composed by Ron Grainer.
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249 episodes
MP3•Episode home
Manage episode 203334608 series 1469356
Content provided by Metebelis Two and Ben and David. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Metebelis Two and Ben and David or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ben and David return to look at Tom Baker cliffhangers during the time of producers Hinchcilffe and Williams. What makes a stonkin' good cliffhanger of this era and do Ben and David's picks tell us more about them than the show itself? The lads also touch upon the idea of the Doctor Who multiverse, the purpose and difference between cliffhangers and wrapping up a story, and what would Moffat do differently. Opening music is an excerpt from "Escape and Recapture" by Geoffrey Burgon from "The Seeds of Doom" score and closing music is the 1970s Doctor Who theme realized by Delia Derbyshire and composed by Ron Grainer.
…
continue reading
249 episodes
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