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#20 - Panda Zooicide, live-coding, rap, pizza

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Manage episode 299223317 series 2931622
Content provided by Ragnhild Wesenberg. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ragnhild Wesenberg or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Amsterdam-based live-coding rap group Panda Zooicide (see their website for full description), took the time to answer my questions about influences, aesthetics, and being a parent as a touring musician. The music in this episode can be listened to further on Soundcloud, among other platforms. But if you can, make sure to see them live.

00:00 'BAMBOO $HOOTZ'

00:52 Introduction

01:47 Inspiration and dinosaurs

06:13 'ANIMALS ARE DANGEROUS'

06:43 Criticism, penguins and fish guts

10:04 (burp alert) The origin of Panda Poop(ie/ey) P

13:59 '1000 Yesterdays Without Sex'

14:28 The creative process

17:10 The music videos

19:21 Aesthetics

(20:48 'BAMBOO $HOOTZ')

22:34 The value of music school

(24:34'ANIMALS ARE DANGEROUS')

25:48 Live coding

29:18 'PIZZA'

30:36 Being a working musician and parent

33:56 Thoughts on achievement

35:38 On explicit lyrics

(36:26 'PIZZA')

36:40 What it means to be a musician

41:15 Where to find Panda Zooicide

(42:33 'BAMBOO $HOOTZ')

44:28 Outro

Panda Zooicide's website: https://pandazooicide.com/

Panda Zooicide on SoundCloud: https://soundcloud.com/panda-zooicide

Panda Zooicide on YouTube: https://www.youtube.com/channel/UCM_SOdRlFehaG1oJc_JGwkw/videos

Photo by Regina Kelaita.

Podcast soundtrack by Mohamed Amer.

If you want to support this podcast, you can do that via my Ko-fi page: Support Ragnhild Wesenberg on Ko-fi.com! ❤️ - Ko-fi ❤️ Where creators get donations from fans, with a 'Buy Me a Coffee' Page.

For any comments, my email address is ragnhild@wesenberg.org, and you can also find this podcast on Instagram.

  continue reading

91 episodes

Artwork
iconShare
 
Manage episode 299223317 series 2931622
Content provided by Ragnhild Wesenberg. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ragnhild Wesenberg or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Amsterdam-based live-coding rap group Panda Zooicide (see their website for full description), took the time to answer my questions about influences, aesthetics, and being a parent as a touring musician. The music in this episode can be listened to further on Soundcloud, among other platforms. But if you can, make sure to see them live.

00:00 'BAMBOO $HOOTZ'

00:52 Introduction

01:47 Inspiration and dinosaurs

06:13 'ANIMALS ARE DANGEROUS'

06:43 Criticism, penguins and fish guts

10:04 (burp alert) The origin of Panda Poop(ie/ey) P

13:59 '1000 Yesterdays Without Sex'

14:28 The creative process

17:10 The music videos

19:21 Aesthetics

(20:48 'BAMBOO $HOOTZ')

22:34 The value of music school

(24:34'ANIMALS ARE DANGEROUS')

25:48 Live coding

29:18 'PIZZA'

30:36 Being a working musician and parent

33:56 Thoughts on achievement

35:38 On explicit lyrics

(36:26 'PIZZA')

36:40 What it means to be a musician

41:15 Where to find Panda Zooicide

(42:33 'BAMBOO $HOOTZ')

44:28 Outro

Panda Zooicide's website: https://pandazooicide.com/

Panda Zooicide on SoundCloud: https://soundcloud.com/panda-zooicide

Panda Zooicide on YouTube: https://www.youtube.com/channel/UCM_SOdRlFehaG1oJc_JGwkw/videos

Photo by Regina Kelaita.

Podcast soundtrack by Mohamed Amer.

If you want to support this podcast, you can do that via my Ko-fi page: Support Ragnhild Wesenberg on Ko-fi.com! ❤️ - Ko-fi ❤️ Where creators get donations from fans, with a 'Buy Me a Coffee' Page.

For any comments, my email address is ragnhild@wesenberg.org, and you can also find this podcast on Instagram.

  continue reading

91 episodes

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