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#361: A New Hope, Pt. 1 — Children of Men

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Manage episode 354685038 series 1000183
Content provided by Telegraph Road Productions and Filmspotting Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Telegraph Road Productions and Filmspotting Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

HBO’s new dystopian TV series THE LAST OF US is an adaptation of a dystopian video game that was inspired in part by Alfonso Cuarón’s dystopian film CHILDREN OF MEN, a strikingly timely 2006 thriller whose consideration of cynicism and hope at the world’s end has only grown more timely in the intervening years. So we’re returning to the source of this cross-medium journey through apocalyptic hellscapes, in a conversation about how and why Cuarón’s film continues to resonate, from its efficient worldbuilding and nuanced politics to its well-wrought humor and visceral filmmaking style. Plus, an alternate pairing suggestion in Feedback inspires some live brainstorming of a hypothetical COCAINE BEAR episode.

Please share your comments, thoughts, and questions about CHILDREN OF MEN, THE LAST OF US, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Outro music: “Bless the Beasts and Children” by the Carpenters

Works Cited

• “Alfonso Cuarón's Children of Men Is a Dystopian Masterpiece,” by Abraham Josephine Riesman (vulture.com)

• “Scenic Routes: Children of Men,” by Mike D’Angelo (avclub.com)

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

427 episodes

Artwork
iconShare
 
Manage episode 354685038 series 1000183
Content provided by Telegraph Road Productions and Filmspotting Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Telegraph Road Productions and Filmspotting Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

HBO’s new dystopian TV series THE LAST OF US is an adaptation of a dystopian video game that was inspired in part by Alfonso Cuarón’s dystopian film CHILDREN OF MEN, a strikingly timely 2006 thriller whose consideration of cynicism and hope at the world’s end has only grown more timely in the intervening years. So we’re returning to the source of this cross-medium journey through apocalyptic hellscapes, in a conversation about how and why Cuarón’s film continues to resonate, from its efficient worldbuilding and nuanced politics to its well-wrought humor and visceral filmmaking style. Plus, an alternate pairing suggestion in Feedback inspires some live brainstorming of a hypothetical COCAINE BEAR episode.

Please share your comments, thoughts, and questions about CHILDREN OF MEN, THE LAST OF US, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Outro music: “Bless the Beasts and Children” by the Carpenters

Works Cited

• “Alfonso Cuarón's Children of Men Is a Dystopian Masterpiece,” by Abraham Josephine Riesman (vulture.com)

• “Scenic Routes: Children of Men,” by Mike D’Angelo (avclub.com)

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

427 episodes

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