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How Starting a Production Company Can Help You Make Your First Film

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Manage episode 181747749 series 118896
Content provided by No Film School. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by No Film School or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ashley McKenzie is the type of director that does it all. The Canadian multi-hyphenate runs her own production company, writes her own scripts, and directs all of the company's films. When she’s on set, however, she gives up almost all notions of planning and control to make her shots as organic and in the moment as possible. For her debut feature, Werewolf, which has won awards at almost every regional Canadian festival she’s brought it to, this included throwing the actors into real-life situations, adding events into scenes without telling them, keeping the camera rolling after the scene had cut, and even casting non-actors as key characters at locations on the fly. The film itself follows a pair of outcast methadone users who push a rusty lawnmower door-to-door to cut grass for money to feed their addiction. No Film School’s Jon Fusco sat down with McKenzie and her two lead actors Andrew Gillis and Breagh MacNeil to discuss their intensely real collaboration.

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755 episodes

Artwork
iconShare
 
Manage episode 181747749 series 118896
Content provided by No Film School. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by No Film School or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ashley McKenzie is the type of director that does it all. The Canadian multi-hyphenate runs her own production company, writes her own scripts, and directs all of the company's films. When she’s on set, however, she gives up almost all notions of planning and control to make her shots as organic and in the moment as possible. For her debut feature, Werewolf, which has won awards at almost every regional Canadian festival she’s brought it to, this included throwing the actors into real-life situations, adding events into scenes without telling them, keeping the camera rolling after the scene had cut, and even casting non-actors as key characters at locations on the fly. The film itself follows a pair of outcast methadone users who push a rusty lawnmower door-to-door to cut grass for money to feed their addiction. No Film School’s Jon Fusco sat down with McKenzie and her two lead actors Andrew Gillis and Breagh MacNeil to discuss their intensely real collaboration.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

755 episodes

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