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Content provided by Ryan Abbott and Nathan Hare, Screenplay Writers, Ryan Abbott, Nathan Hare, and Screenplay Writers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ryan Abbott and Nathan Hare, Screenplay Writers, Ryan Abbott, Nathan Hare, and Screenplay Writers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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0020: Titles

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Manage episode 210626879 series 2363730
Content provided by Ryan Abbott and Nathan Hare, Screenplay Writers, Ryan Abbott, Nathan Hare, and Screenplay Writers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ryan Abbott and Nathan Hare, Screenplay Writers, Ryan Abbott, Nathan Hare, and Screenplay Writers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Wondering how to come up with a screenplay title that will get you a contract and lots of pop at the box office? Many listeners have privately asked us to cover this topic, so here it is.

Titles should convey what the screenplay is about. Great titles often incorporate a character’s name in a double-meaning sort of way. Nathan gives a new Hare’s Rule: Make your title something that sort of confuses people. The guys do script surgery on “Ratatouille.” In Logline Cage Match, Ryan pitches his logline for a title-driven screenplay idea, “Fine and Dandy."

  continue reading

94 episodes

Artwork
iconShare
 
Manage episode 210626879 series 2363730
Content provided by Ryan Abbott and Nathan Hare, Screenplay Writers, Ryan Abbott, Nathan Hare, and Screenplay Writers. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ryan Abbott and Nathan Hare, Screenplay Writers, Ryan Abbott, Nathan Hare, and Screenplay Writers or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Wondering how to come up with a screenplay title that will get you a contract and lots of pop at the box office? Many listeners have privately asked us to cover this topic, so here it is.

Titles should convey what the screenplay is about. Great titles often incorporate a character’s name in a double-meaning sort of way. Nathan gives a new Hare’s Rule: Make your title something that sort of confuses people. The guys do script surgery on “Ratatouille.” In Logline Cage Match, Ryan pitches his logline for a title-driven screenplay idea, “Fine and Dandy."

  continue reading

94 episodes

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