In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles
Manage episode 352282442 series 2300471
Content provided by Earwolf, Paul Scheer, and Amy Nicholson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Earwolf, Paul Scheer, and Amy Nicholson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Amy & Paul peel the layers of Chantal Akerman’s minimalist homebound masterwork Jeanne Dielman! They praise the way Akerman trains her audience to pay attention to tiny details, debate whether the controversial ending was necessary, and ask what the film’s recent ascendancy to the top of Sight & Sound’s greatest films list says about how we live today. Plus: The truth about Tony Orlando and Dawn.
Next week, tune in as we discuss Blue Velvet! You can join the conversation for this series on the Unspooled Facebook Group at https://www.facebook.com/groups/unspooledpodcast, and on Paul’s Discord at https://discord.gg/ZwtygZGTa6. Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don’t forget to rate, review & subscribe to us on Apple Podcasts, Stitcher and Spotify. You can also listen to our Stitcher Premium game show Screen Test right now at https://www.stitcher.com/show/unspooled-screen-test and apply to be a contestant at unspooledpod@gmail.com!
341 episodes
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Manage episode 352282442 series 2300471
Content provided by Earwolf, Paul Scheer, and Amy Nicholson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Earwolf, Paul Scheer, and Amy Nicholson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Amy & Paul peel the layers of Chantal Akerman’s minimalist homebound masterwork Jeanne Dielman! They praise the way Akerman trains her audience to pay attention to tiny details, debate whether the controversial ending was necessary, and ask what the film’s recent ascendancy to the top of Sight & Sound’s greatest films list says about how we live today. Plus: The truth about Tony Orlando and Dawn.
Next week, tune in as we discuss Blue Velvet! You can join the conversation for this series on the Unspooled Facebook Group at https://www.facebook.com/groups/unspooledpodcast, and on Paul’s Discord at https://discord.gg/ZwtygZGTa6. Learn more about the show at unspooledpod.com, follow us on Twitter @unspooled and Instagram @unspooledpod, and don’t forget to rate, review & subscribe to us on Apple Podcasts, Stitcher and Spotify. You can also listen to our Stitcher Premium game show Screen Test right now at https://www.stitcher.com/show/unspooled-screen-test and apply to be a contestant at unspooledpod@gmail.com!
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Similar to Unspooled
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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