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Manage episode 318038584 series 2298851
Content provided by Earwolf, Paul Scheer, and Amy Nicholson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Earwolf, Paul Scheer, and Amy Nicholson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Manage episode 318038584 series 2298851
Content provided by Earwolf, Paul Scheer, and Amy Nicholson. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Earwolf, Paul Scheer, and Amy Nicholson or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Paul & Amy don't follow the rules for 1996's Wes Craven meta-horror-comedy Scream! They learn Craven's secret to making horror films that resonate, argue that the iconic Ghostface mask works better than a more distinctive look, and unpack the archetype of the "Final Girl." Plus: Henry Winkler and the movie's best in-joke.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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